{"title":"Post-Punk, Industrial, New Wave, Synth","description":null,"products":[{"product_id":"sherwood-at-the-controls-vol-1","title":"Sherwood At The Controls Vol 1: 1979 - 1984 (2LP)","description":"\u003cp\u003eA1. \u003cstrong\u003eMedium Medium\u003c\/strong\u003e - Hungry, So Angry \t3:57\n\u003cbr\u003eA2. \u003cstrong\u003eMaximum Joy\u003c\/strong\u003e - Let It Take You There \t6:02\n\u003cbr\u003eA3. \u003cstrong\u003eNadjma\u003c\/strong\u003e - Some Day My Caliph Will Come \t3:43\n\u003cbr\u003eA4. \u003cstrong\u003eMark Stewart + The Maffia\u003c\/strong\u003e - Learning To Cope With Cowardice (Flexi Version) 3:55\u003c\/p\u003e\n\n\u003cp\u003eB1. \u003cstrong\u003eThe Fall\u003c\/strong\u003e - Middle Mass \t3:32\n\u003cbr\u003eB2. \u003cstrong\u003eGardening By Moonlight\u003c\/strong\u003e - Strange Clues \t3:17\n\u003cbr\u003eB3. \u003cstrong\u003eShriekback\u003c\/strong\u003e - Mistah Linn He Dead \t4:00\n\u003cbr\u003eB4. \u003cstrong\u003eVoice Of Authority f\/ Congo Ashanti Roy\u003c\/strong\u003e - Running (Feeling Wild) 6:05\u003c\/p\u003e\n\n\u003cp\u003eC1. \u003cstrong\u003eThe Slits\u003c\/strong\u003e - Man Next Door \t3:31\n\u003cbr\u003eC2. \u003cstrong\u003eAnnie Anxiety aka Little Anni\u003c\/strong\u003ee - Third Gear Kills \t7:50\n\u003cbr\u003eC3. \u003cstrong\u003ePrince Far I\u003c\/strong\u003e - Nuclear Weapon \t3:53\u003c\/p\u003e\n\n\u003cp\u003eD1. \u003cstrong\u003eSingers \u0026amp; Players\u003c\/strong\u003e -\tReaching The Bad Man \t8:43\n\u003cbr\u003eD2. \u003cstrong\u003eAfrican Head Charge\u003c\/strong\u003e - In A Trap \t4:14\n\u003cbr\u003eD3. \u003cstrong\u003eVivien Goldman\u003c\/strong\u003e - Private Armies Dub \t4:50\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eAdrian Sherwood's legendary On-U Sound imprint drops an incredible compilation highlighting his pioneering and singular production sound. From the label: \u003c\/p\u003e\n\n\u003cp\u003e\"A compilation of early tracks produced or remixed by the legendary Adrian Sherwood; a pioneering blend of post-punk, mutant disco, dub, funk and electro.\u003c\/p\u003e\n\n\u003cp\u003eAdrian Sherwood is a name most commonly associated with dub reggae, particularly his own leftfield version of the sound that he developed over the 80s and 90s, having been mentored by the likes of Prince Far I, Lee ‘Scratch’ Perry and Dennis Bovell, This compilation seeks to highlight another side of the story: in his capacity as a DJ and live sound engineer Sherwood also connected with the likes of The Clash, Public Image Limited and The Pop Group, and went on to work with a wide variety of artists including Depeche Mode, Nine Inch Nails, Primal Scream and Blur. The tracks on this album show how Sherwood blended a dubwise approach to versioning tracks with a desire to experiment in the studio and push musical boundaries.\"\u003c\/p\u003e\n\n\u003cp\u003eBOTH RECORDS ARE IN VERY GOOD CONDITION WITH MINIMAL PLAY. DOWNGRADED TO VG+ DUE TO SOME LIGHT SURFACE MARKS FROM INNER SLEEVE WHICH DO NOT AFFECT PLAYBACK\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IxJLCI3qDJg\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Adrian Sherwood \/ Various","offers":[{"title":"Default Title","offer_id":42244268753120,"sku":"ONULP128","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Sherwood-At-The-Controls-Vol-1.jpg?v=1640602835"},{"product_id":"remain-light","title":"Remain In Light (LP)","description":"\u003cp\u003eA1. Born Under Punches (The Heat Goes On) \t5:46\n\u003cbr\u003eA2. Crosseyed And Painless \t4:45\n\u003cbr\u003eA3. The Great Curve \t6:26\u003c\/p\u003e\n\n\u003cp\u003eB1. Once In A Lifetime \t4:19\n\u003cbr\u003eB2. Houses In Motion \t4:30\n\u003cbr\u003eB3. Seen And Not Seen \t3:20\n\u003cbr\u003eB4. Listening Wind \t4:42\n\u003cbr\u003eB5. The Overload \t6:00\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eTalking Heads - Remain In Light\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe classic fourth album by Talking Heads and perhaps their finest Eno collaboration.\u003c\/p\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":42244274094304,"sku":"WBN 56867","price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Remain-In-Light.jpg?v=1640602918"},{"product_id":"exterminating-angel","title":"Exterminating Angel (LP)","description":"\u003cp\u003eA1. Raven's Wing 1:56\n\u003cbr\u003eA2. Forced Landing 2:06\n\u003cbr\u003eA3. Arp's Carpet 3:00\n\u003cbr\u003eA4. Chameleon 2:31\n\u003cbr\u003eA5. Crown Of Thorns 2:10\n\u003cbr\u003eA6. Trapped 7:33\u003c\/p\u003e\n\n\u003cp\u003eB1. Laughing Up Your Sleeve 3:14\n\u003cbr\u003eB2. Flightless Birds 4:27\n\u003cbr\u003eB3. Crib Death 2:11\n\u003cbr\u003eB4. Diving Belle 1:11\n\u003cbr\u003eB5. Me, Myself, \u0026amp; I 2:04\n\u003cbr\u003eB6. Uninvited Guests 2:37\n\u003cbr\u003eB7. No, Nothing, Never 6:12\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eAn eons-ahead-of-its-time synth\/industrial project from post punk pioneer R.L. Crutchfield (previously Arto Lindsay's sparring partner in No-Wave legends D.N.A.). This debut LP recorded in 1979 contains the unsettling brilliance of 'No, Nothing, Never' amongst many other gems. Another winning reissue from Dark Entries.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/eyg9g7VcVZY\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Dark Entries bio:\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eDark Entries is working in reverse order to re-issue Dark Day’s first album “Exterminating Angel” originally released in 1980 on Lust\/Unlust. Dark Day is the minimal electronics brainchild of Robin Crutchfield following his separation with no wave band DNA. Growing up in rural Pennsylvania, Crutchfield was fascinated with both performance art and the most esoteric edges of pop music. After making his escape to New York City in the mid-seventies, he was inspired by Yoko Ono’s Plastic Ono Band and Lydia Lunch’s Teenage Jesus \u0026amp; The Jerks. He made the transition into the new music of downtown Manhattan and formed the “no wave” band DNA with Arto Lindsay and Ikue Mori in 1977.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eIn 1979 Crutchfield left DNA to pursue a series of musical projects under the name Dark Day. His first album, “Exterminating Angel” is named after the Luis Bunuel film of the same name. On this album the band is Robin on synthesizers and vocals, Phil Kline on guitar\/bass, Barry Friar on drums and guest Steven Brown of Tuxedomoon on saxophone. All 13 songs on “Exterminating Angel” use cheap synthesizers to create cyclical, machine-like keyboard riffs as a foundation for the moody, Teutonic music. Crutchfield sings like a lost member of Kraftwerk with a dry detachment creating a starker and chillier atmosphere. Lyrics were derived from cut-up methods similar to those used by the surrealists, fluxus artists, and William Burroughs and Bryon Gysin and pit the subjected against their torments and tormentors.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eAll songs on “Exterminating Angel” were originally recorded at Sorcerer Sound, NYC. 1979 and produced by Charles Ball. This re-issue has been remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. Each LP includes a two-sided fold out poster containing lyrics, photos and lyrical explanations by Robin Crutchfield. Dark Day continue to inspire the current wave of stark, eerie, processional synthesizer music more than 30 years later.\u003c\/em\u003e\u003c\/p\u003e","brand":"Dark Day","offers":[{"title":"Default Title","offer_id":42244274159840,"sku":"DE-025","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Exterminating-Angel.jpg?v=1640602928"},{"product_id":"mesopotamia","title":"Mesopotamia (LP)","description":"\u003cp\u003eA1. Loveland \t\n\u003cbr\u003eA2. Deep Sleep \t\n\u003cbr\u003eA3. Mesopotamia \t\u003c\/p\u003e\n\n\u003cp\u003eB1. Cake \t\n\u003cbr\u003eB2. Throw That Beat In The Garbage Can \t\n\u003cbr\u003eB3. Nip It In The Bud\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eThe B-52's - Mesopotamia\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhen David Byrne produced The B-52's it resulted in career highlight Mesopotamia - it's a shame they had that falling out\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e*Lots of light surface marks\/light scratches etc but plays ok. These marks do not cause skipping. Sleeve has BPMs written alongside tracklisting and is generally worn along the edges.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0FyLcHxbSRk\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The B-52's","offers":[{"title":"Default Title","offer_id":42244274192608,"sku":"ISSP 4006","price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Mesopotamia.jpg?v=1640602931"},{"product_id":"speaking-in-tongues","title":"Speaking In Tongues (180g LP)","description":"\u003cp\u003eA1. Burning Down The House \t4:00\n\u003cbr\u003eA2. Making Flippy Floppy \t4:36\n\u003cbr\u003eA3. Girlfriend Is Better \t4:25\n\u003cbr\u003eA4. Slippery People \t3:30\n\u003cbr\u003eA5. I Get Wild \/ Wild Gravity \t4:06\u003c\/p\u003e\n\n\u003cp\u003eB1. Swamp \t5:09\n\u003cbr\u003eB2. Moon Rocks \t5:04\n\u003cbr\u003eB3. Pull Up The Roots \t5:08\n\u003cbr\u003eB4. This Must Be The Place (Naive Melody) \t4:56\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eTalking Heads - Speaking In Tongues\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e180g repress of the classic fifth album by Talking Heads\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MMlw4xPAOXg\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":42244274225376,"sku":"8122796665","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Speaking-In-Tongues.jpg?v=1640602921"},{"product_id":"the-b-52s","title":"The B-52's (LP)","description":"\u003cp\u003eA1. Planet Claire \t4:35\n\u003cbr\u003eA2. 52 Girls \t3:34\n\u003cbr\u003eA3. Dance This Mess Around \t4:36\n\u003cbr\u003eA4. Rock Lobster \t6:49\u003c\/p\u003e\n\n\u003cp\u003eB1. Lava \t4:54\n\u003cbr\u003eB2. There's A Moon In The Sky (Called The Moon) \t4:54\n\u003cbr\u003eB3. Hero Worship \t4:07\n\u003cbr\u003eB4. 6060-842 \t2:48\n\u003cbr\u003eB5. Downtown \t2:57\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eThe classic 1979 self-titled debut LP from The B-52's featuring Planet Claire and Rock Lobster\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/47YAcpCa5dM\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The B-52's","offers":[{"title":"Default Title","offer_id":42244274258144,"sku":"ILPS 9580","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/The-B-52s.jpg?v=1640602928"},{"product_id":"4-track-ep","title":"4 Track EP (12\")","description":"\u003cp\u003eA1. Come Back Jonee \t3:23\n\u003cbr\u003eA2. Working In A Coalmine \t2:48\u003c\/p\u003e\n\n\u003cp\u003eB1. Satisfaction \t2:38\n\u003cbr\u003eB2. Jocko Homo \t3:39\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eDevo - 4 Track EP \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA 4-track Devo EP featuring highlights from their Eno-produced debut LP and a cover of Lee Dorsey\/Allen Toussaint's 'Working in a Coalmine'\u003c\/p\u003e","brand":"Devo","offers":[{"title":"Default Title","offer_id":42244275208416,"sku":"VS 594-12","price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/4-Track-EP.jpg?v=1640602943"},{"product_id":"south-bronx-story","title":"A South Bronx Story (2LP)","description":"\u003cp\u003eA1. You're No Good \t3:08\n\u003cbr\u003eA2. Moody \t2:46\n\u003cbr\u003eA3. UFO \t2:54\u003c\/p\u003e\n\n\u003cp\u003eB1. It's Alright \t2:37\n\u003cbr\u003eB2. Moody (Spaced Out) \t4:15\n\u003cbr\u003eB3. Tiny Sticks \t2:59\n\u003cbr\u003eB4. My Love For You \t2:53\u003c\/p\u003e\n\n\u003cp\u003eC1. Come Away \t3:12\n\u003cbr\u003eC2. Dance \t4:28\n\u003cbr\u003eC3. Parking Lot Blues \t2:50\n\u003cbr\u003eC4. Chistelle \t1:51\n\u003cbr\u003eC5. About You \t2:02\u003c\/p\u003e\n\n\u003cp\u003eD1. Erase You 4:05\n\u003cbr\u003eD2. Get Funky \t2:32\n\u003cbr\u003eD3. Hold Me Right \t2:53\n\u003cbr\u003eD4. I Can't Tell You What To Do \t4:04\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eESG - A South Bronx Story\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAn incredible compilation of ESG's back catalogue released in 2000 courtesy of Universal Sound\/Soul Jazz. An important document of a very specific early 80's NYC sound, this compilation made available a goldmine of impossibly rare punk\/funk classics which comfortably bridged any gaps between hip hop, disco and punk and helped pave the way for the nascent house scene . Words from the label:\n\u003cbr\u003e\u003cem\u003e\n\u003cbr\u003e\"Moody\", \"UFO\", \"You're No Good\". ESG are one of the most important bands in dance music. Ever! Coming from New York at the beginning of the 1980's ESG found themselves at the meeting point of three revolutions in music - House, Hip-Hop and Punk. Combining all three elements with their associations with Larry Levan and The Paradise Garage, Factory Records in England and sampled by everyone from Public Enemy to Q-Tip. This compilation covers a period from 1980 to the early 1990's. Essential! Which group has records in the top 50 all time classics of New York s Paradise Garage, The Gallery, The Warehouse, The Music Box and The Roxy ? Which group has been sampled by Public Enemy, Big Daddy Kane, 3rd Bass, LL Cool J, Marley Marl and Doug E. Fresh? Which group has played with The Clash, A Certain Ratio, Public Image, Liquid Liquid and Gang of Four? Which group played the opening night of Manchester's Hacienda and the closing night of New York's Paradise Garage with Larry Levan? ESG! Soul Jazz Records are releasing this retrospective of ESG. The album features all their classic tracks along side some rare recordings. The story of ESG is one that gives them a place in three different musical histories - House music, Hip-Hop and Punk. A unique position that few other bands can claim. Their first single contained the all-time dancefloor classics Moody and UFO which placed them at the root of House and Hip-Hop respectively. Their first record was produced by legendary producer Martin Hannett and released on Factory Records, reflecting the beginning of a point in time where punk groups in England such as New Order and A Certain Ratio were beginning to become interested in Black American dance music. ESG are based around a group of sisters, Renee, Deborah, Valerie and Marie. The sparse raw funk sound that they created is unique and their music , reputation and associations has made them one of the cult bands of all time and this release intends to re-present them giving them their proper place in history. ESG were involved with 99 Records in the US (as were Liquid Liquid). Owned by ESG s unofficial manager\/producer Ed Bahlman, 99 Records spearheaded a new wave in US punk\/ dance groups that became known as the No Wave. ESG (and 99 Records) also lost out in many similar cases - ESG s sparse minimal bass and drum sound made them one of the most sampled artists around (in 1993 they wrote a track Sample Credits Don t Pay our Bills ). ESG were immersed in both the New York dance club scene and in the meeting of punk and dance culture. They played all the New York dance clubs such as Paradise Garage, Xenon, Danceteria as well as playing with many punk groups.. (They once played with The Clash and Grandmaster Flash on the same bill!).\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eBOTH RECORDS ARE GRADED VG+ AND PLAY WELL. 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Just don't call it a comeback.\" - DOWNWARDS \/ BK\u003cbr\u003e\u003cbr\u003eRecorded at Berlin Atonal 08\/24\/18. CD comes in six-panel digipak.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Fire In The Still Air 51:40\u003c\/p\u003e","brand":"British Murder Boys","offers":[{"title":"Default Title","offer_id":47593914630492,"sku":"BMB CD02","price":12.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/BritishMurderBoys-fireinthestillair.jpg?v=1706448128"},{"product_id":"various-themes-variations-ep","title":"Themes \u0026 Variations EP","description":"\u003cp\u003e\u003cstrong\u003eVarious – Themes \u0026amp; Variations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA supreme dark-side sampler from Osiris Music. Simon Shreeve's label has spent nearly 20 years joining dots in the hardcore-continuum, connecting heavy industrial techno with UK bass and dub-driven music. This mini-compilation EP marries all the disparate styles existing along that line into one strong, cohesive vision - an essential, hellraising 4-tracker 🔥\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIf Osiris' recent releases have represented a rope that bridges the chasm that exists between various bass-heavy electronic sub-genres, this compilation of brand new material might just be the bricks-and-mortar upgrade to that bridge that marries them all into one cohesive vision. Proceedings kick off with Overlook's menacing take on Jungle — almost eight minutes of sustained preternatural tension in the shape of 'Former Self '.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePessimist continues the journey with the sprawling 'Indigo', and moves away from his trademark pace to set the scene with repetitive, delayed stabs in the dark. Three tracks in, label boss Simon Shreeve steps into the ring, in his first outing as Mønic this year, to unveil the appropriately titled 'Stampede' — a marching, ferocious melding of industrial beats and distorted growl, pushed along by frenetic hi-hats before spiralling off the edge into a feedback-laden pit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo close, Mønic teams up with Grebenstein. Picture the former's take on sepulchral atmospherics, married with the latter's mangled electronics, and you'll have a good indication of what to expect from this meeting of minds. 'Cutting The Ties That Bind' sees those hats return in the distance, but slows the pace for a largely ambient conclusion to this unique blends of musical ideas.\u003c\/em\u003e\" - OSIRIS MUSIC\u003cbr\u003e\u003cbr\u003eHoused in a printed reverse board sleeve.\u003cbr\u003eMastered by Simon Davey at The Exchange London.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. \u003cstrong\u003eOverlook\u003c\/strong\u003e – Former Self 7:56\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Themes_Variations_01.mp3?v=1708537542\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. \u003cstrong\u003ePessimist\u003c\/strong\u003e – Indigo 5:36\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Themes_Variations_02.mp3?v=1708537542\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. \u003cstrong\u003eMønic\u003c\/strong\u003e – Stampede 6:26\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Themes_Variations_03.mp3?v=1708537542\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. \u003cstrong\u003eMønic \u0026amp; Grebenstein\u003c\/strong\u003e – Cutting The Ties That Bind 7:40\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Themes_Variations_04.mp3?v=1708537542\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":47691908448604,"sku":"OSMUK054EP","price":12.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Various_Themes_Variations.webp?v=1708536912"},{"product_id":"tyhja-paa-black-gold-dub","title":"Black Gold Dub (12\" - Ltd to 100)","description":"\u003cp\u003e\u003cstrong\u003eTyhjä Pää – Black Gold Dub\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHellraising Oulu x Bristol hookup courtesy of Finnish noise-artist Tyhjä Pää and Bristol's industrial club heavyweights \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/vendors?q=Bad%20Tracking\" data-mce-href=\"https:\/\/spectrumcityshop.pro\/collections\/vendors?q=Bad%20Tracking\"\u003eBad Tracking\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Elektorni’s murkier sibling Elektyrmä comes out with its first release: Tyhjä Pää - Black Gold Dub.\u003cbr\u003e\u003cbr\u003eThis record is an Oulu-Bristol toxicological emission that gradually disintegrates from Bad Tracking’s banging remix #2, to the original version’s amorphous pool of grinding noise. Who doesn’t need a noise single with a club remix in their collection?\u003cbr\u003e\u003cbr\u003eFirst up on the 33rpm A-side is the rugged industrial club version (Remix 2) made by Bristol’s legendary Bad Tracking. Laced with grimy 808 cowbells that sound like they are transmitting from a mangled Houston rap tape buried 6 feet under, the track relentlessly marches on towards the inevitable doom of humanity. In the second version (Remix 1) you find yourself in an unfamiliar land with irradiating frequencies washing over you, wave after venomous wave. There is no escape. Finally, flipping the record and shifting gears to 45rpm, Tyhjä Pää’s original version dismantles the illusionary structure of society into primordial goo, searching for a form in which to be re-born.\" - Elektyrmä\u003c\/p\u003e\n\u003cp\u003eLtd to 100 copies. Hand numbered and labelled. Comes with A4 insert and stickers.\u003cbr\u003e\u003cbr\u003eMastered and cut by LXC. Pressed in Finland.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Black Gold Dub (Bad Tracking Remix 2)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_ELKTRM001_A1_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_2_LXCmasterDIGITAL.mp3?v=1709467528\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_ELKTRM001_A1_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_2_LXCmasterDIGITAL.mp3?v=1709467528\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. Black Gold Dub (Bad Tracking Remix 1)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_ELKTRM001_A2_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_1_LXCmasterDIGITAL.mp3?v=1709467527\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_ELKTRM001_A2_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_1_LXCmasterDIGITAL.mp3?v=1709467527\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Black Gold Dub\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_ELKTRM001_B1_Tyhjae_paa_-_Black_Gold_Dub_LXCmasterDIGITAL.mp3?v=1709467528\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_ELKTRM001_B1_Tyhjae_paa_-_Black_Gold_Dub_LXCmasterDIGITAL.mp3?v=1709467528\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tyhjä Pää","offers":[{"title":"Default Title","offer_id":47736485871964,"sku":"ELKTRM001","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/TyhjaPaa_BlackGoldDub.jpg?v=1709467351"},{"product_id":"geinst-nait-archives-1-3","title":"Archives 1\/3 (LP)","description":"\u003cp\u003e\u003cstrong\u003eGeins't Naït – Archives 1\/3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKiller-mode Industrial curveballs from cult French duo Geins’t Naït recorded between 1986-1993, the first instalment in a planned trilogy of archival compilations on Low Jack’s Éditions Gravats. They make a sound somewhere in the orbit of minimal Prince\/Linndrum productions played at half speed and crossed with early Muslimgauze E.g Oblique Graph. In other words, deadly gear...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFollowing on from the legendary duo’s class 2018 salvo on Vladimir Ivkovic’s Offen Music, Low Jack throws another curveball on Editions Gravats’ with a trove of unreleased Geins’t Naït material showcasing the sexy swivel and atmospheres that distinguished Thierry Merigout and Laurent Petitgrand’s band from the rest of the french industrial scene. Turning inspirations from the Surrealists and Situationists into a rawly fascinating mixture of slow, pendulous rhythms, chattering electronics and over-the-shoulder vocals, the results are evidently a prime fit for Gravats' expanding catalogue of psychedelic, percussive oddities.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Archives 1\/3’ volleys 11 examples of the art brut pair hewing at the coalface of industrial music, locating rich seams of rhythm-driven experimentation that still sound vital, over 30 years later. In the process, it highlights a tangible link between early industrial musick, its tribalist reference points, and the current state of play in dancehalls across the world, where everything from ragga to techno and noise are fair game.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTo be specific, DJs and dancers will be in their element with roughshod aces such as the swivelling might of ‘Fix’, the industrial martial arts of ‘Quivala’, and the squashed pressure of ‘La Plus Belle De Tout’ and ‘Abs Trac 1’, but they’re best heard in context of the whole, alongside more possessed workouts such as the Muslimgauze-in-tongues vibe of ‘Rossi Aldo’, the Godlflesh-like seethe of ‘Roman’, and the kind of necrotising, slowed-down EBM darkness in ‘Cameo’ which wouldn’t sound out of place on the ‘Decoder’ soundtrack.\u003c\/em\u003e\" - BOOMKAT DISTRO\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/692895954\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/editions-gravats\" title=\"ÉDITIONS GRAVATS\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eÉDITIONS GRAVATS\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/editions-gravats\/sets\/grvts015\" title=\"Geins't Naït - Archives 1\/3 (GRVTS015)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGeins't Naït - Archives 1\/3 (GRVTS015)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Geins't Naït","offers":[{"title":"Default Title","offer_id":53511299662172,"sku":"GRVTS015","price":17.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Geins_tNait_Archives1of3front.jpg?v=1732450595"},{"product_id":"silent-servant-negative-fascination-lp","title":"Silent Servant – Negative Fascination (LP)","description":"\u003ch2\u003eSilent Servant – Negative Fascination\u003c\/h2\u003e\n\u003cp\u003eSilent Servant’s 2012 debut album \u003cem\u003eNegative Fascination\u003c\/em\u003e marks a defining moment in modern industrial techno. Fresh from his work with Sandwell District and Tropic Of Cancer, Juan Mendez brings his signature fusion of minimalist techno, post-punk grit, and industrial electronics into sharp focus.\u003c\/p\u003e\n\u003cp\u003eRecorded shortly after the Sandwell era closed, this album is both a reflection and reinvention—equal parts claustrophobic and cathartic. “Process (Introduction)” lays the groundwork with eerie drama, while cuts like “Invocation Of Lust” and “Moral Divide (Endless)” drive forward with pounding drums and dark energy. The closer, “Utopian Disaster (End),” ties it all together in a peak-time climax.\u003c\/p\u003e\n\u003cp\u003eAt once reverent and revolutionary, \u003cem\u003eNegative Fascination\u003c\/em\u003e channels the past to push the genre forward.\u003c\/p\u003e\n\n\u003cstyle\u003e\n  .tracklist {\n    list-style: none;\n    padding: 0;\n    margin: 1em 0;\n  }\n  .track {\n    margin-bottom: 1.5em;\n  }\n  .track p {\n    margin: 0 0 0.3em 0;\n    font-weight: 500;\n  }\n  .track audio {\n    width: 100%;\n    max-width: 400px;\n    outline: none;\n  }\n  .meta, .riyl {\n    font-size: 0.95em;\n    margin-top: 1.5em;\n  }\n  .meta strong, .riyl strong {\n    display: inline-block;\n    width: 100px;\n    vertical-align: top;\n  }\n  .riyl span {\n    display: inline-block;\n    max-width: calc(100% - 100px);\n  }\n\u003c\/style\u003e\n\n\u003cul class=\"tracklist\"\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e1. Process (Introduction)\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/1_Process_Introduction.mp3?v=1749906809\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e2. Invocation Of Lust\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/2_Invocation_Of_Lust.mp3?v=1749906809\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e3. Moral Divide (Endless)\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/3_Moral_Divide_Endless.mp3?v=1749906810\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e4. The Strange Attractor\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/4_The_Strange_Attractor.mp3?v=1749906809\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e5. Temptation \u0026amp; Desire\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/5_Temptation_Desire.mp3?v=1749906808\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e6. A Path Eternal\u003c\/p\u003e\n    \u003caudio controls src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/6_A_Path_Eternal.mp3?v=1749906809\"\u003e\u003c\/audio\u003e\n  \u003c\/li\u003e\n  \u003cli class=\"track\"\u003e\n    \u003cp\u003e7. 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It was the first RSE release beyond Hospital Productions, landing on Low Jack’s Les Disques de la Bretagne imprint.\u003c\/p\u003e\n\u003cp\u003e\"Bridgetown Dub\" blends skeletal drums, trance-inducing vocal edits, and pressurized deep bass under thunderous skies, masterfully mixed by Paul Corley. \"Price To Pay\" opens with humid ambience before swelling into dubbed-out momentum. 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The EP begins with “New Age,” a slow-burn hypnotic piece that builds tension through layered pulsework. “Kabadaro” follows with ambient textures that evoke a jungle rendered in grayscale. The title track reintroduces momentum via frenetic percussion, hinting at Pessimist’s jungle roots. JK Flesh’s remix of “New Age” is pure industrial assault — abrasive and brutal. Closing track “Progression” offers a minimalist comedown, nearly collapsing under its own weight. This is Pessimist at his most fearless, mapping new coordinates in the dark.\u003c\/p\u003e\n\u003cul class=\"tracklist\"\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e1. New Age\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/New_Age.mp3?v=1750597757\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e2. 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