{"title":"Label: Modern Love","description":"","products":[{"product_id":"domestic-economy-7","title":"Domestic Economy 7 (2LP)","description":"\u003cp\u003eA1. Ice Core Laboratory \t\n\u003cbr\u003eA2. Come And Play With Us \t\n\u003cbr\u003eA3. Open Sesame \t\u003c\/p\u003e\n\n\u003cp\u003eB1. Chain \t\n\u003cbr\u003eB2. Bass Lobe \t\n\u003cbr\u003eB3. Test Tube \t\u003c\/p\u003e\n\n\u003cp\u003eC1. Orange Room \t\n\u003cbr\u003eC2. F Codex \t\u003c\/p\u003e\n\n\u003cp\u003eD1. Dragon 32 \t\n\u003cbr\u003eD2. Skymon\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eAn early full-length release for Boomkat's 'Modern Love' record label (also home to Andy Stott, Demdike Stare and Deepchord, amongst others) Bitstream's sole LP is an eccentric techno\/electro assault which deftly straddles that tricky fine line of club-friendly experimentation.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1gkjitPemQ0\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bitstream","offers":[{"title":"Default Title","offer_id":42244271210720,"sku":"Love 011","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Domestic-Economy-7.jpg?v=1640602875"},{"product_id":"testpressing-005","title":"Testpressing #005 (12\")","description":"\u003cp\u003eA1. Procrastination \t6:42\n\u003cbr\u003eB1. Past Majesty \t5:48\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eTwo prime, bowel-emptying, industrial grime heaters from Demdike Stare. Essential stuff.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\u003cdiv style=\"position:relative;height:0;padding-bottom:56.25%\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/OQ-Q7SgUeLc?rel=0\u0026amp;showinfo=0?ecver=2\" width=\"640\" height=\"360\" frameborder=\"0\" style=\"position:absolute;width:100%;height:100%;left:0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e\u003cdiv style=\"position:relative;height:0;padding-bottom:75.0%\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/MIYeVwndG1c?rel=0\u0026amp;showinfo=0?ecver=2\" width=\"480\" height=\"360\" frameborder=\"0\" style=\"position:absolute;width:100%;height:100%;left:0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Demdike Stare","offers":[{"title":"Default Title","offer_id":42244278255840,"sku":"LOVE096","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Testpressing-005.jpg?v=1640602985"},{"product_id":"an-american-hero","title":"An American Hero (2LP)","description":"\u003cp\u003e\u003cstrong\u003ePhilippe Hallais ‎– An American Hero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Theme (Trophies) \u003cbr\u003eA2. Ready (Sacred) \u003cbr\u003eA3. Angela (Square)\u003c\/p\u003e\n\u003cp\u003eB1. Everything (Good) \u003cbr\u003eB2. Skin (Hit)\u003c\/p\u003e\n\u003cp\u003eC1. Fantasy (4U) \u003cbr\u003eC2. Feel (Storm) \u003cbr\u003eC3. Fall (Never Meant)\u003c\/p\u003e\n\u003cp\u003eD1. Garrys (Locker) \u003cbr\u003eD2. Lately (Acoustic) \u003cbr\u003eD3. Hero (Theme)\u003c\/p\u003e\n\u003cbr\u003e--\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003ePhilippe Hallais ‎– An American Hero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Philippe Hallais aka Low Jack returns to Modern Love with a debut album under his own name, this time round unfurling a deeply seductive and opaque mixture of squashed dream pop and ambient shimmers, sounding something like Badalamenti\/Lynch doing Shoegaze except a lot more weird and beautiful...\u003c\/p\u003e\n\u003cp\u003eIt’s an album in the tradition of great records by Hype Williams, Leyland Kirby and, more recently, Yves Tumor; inhabiting a sonic world where not everything is quite what it seems. It offers familiarity and warmth one moment, dread and transformation the next, with an aesthetic that can basically be defined by that iconic image of the trophy cabinet in Twin Peaks, slowly zooming in on Laura Palmer’s framed face.\u003c\/p\u003e\n\u003cp\u003eDivided into four sides (and eleven tracks) acting as parts in a greek tragedy, the album delves into the dislocations of the mythology of sports and its achievement in mass entertainment; whereby the hero becomes a dispensable and mimetic body. It delves into this unusual portrayal of triviality and disaster, naivety and cynicism that make the real life and ordeals of the hero indistinguishable from their scripted form on TV.\u003c\/p\u003e\n\u003cp\u003eAnd so the narrative flows from the introspective ambient fizz of the opening Theme (Trophies) - sounding like the Cure’s All Cats are Grey as heard through the cracks, shrouded in several layers of auditory fog, through to the goosebump inducing Angela (Square), complete with punctuated snare\/bassdrum crashes, to the Thriller-esque\/Actress vibes on Fantasy (4U).\u003c\/p\u003e\n\u003cp\u003eFeel (Storm) is like Jóhann Jóhannsson’s brass masterpiece Virðulegu Forsetar looped, phased and slowed down, before the album closes on the daytime tv vibes of Hero (Theme); a sound to get immersed in, mimicking life with its transition from the tragic to the sublime.\u003c\/p\u003e\n\u003cp\u003eLife is short, seize the moment.\" - Modern Love\u003c\/p\u003e\n\u003cp\u003eLimited to 400 copies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/326513461\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"THUMP\" href=\"https:\/\/soundcloud.com\/thump\" target=\"_blank\"\u003eTHUMP\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Philippe Hallais - THEME (TROPHIES)\" href=\"https:\/\/soundcloud.com\/thump\/philippe-hallais-theme-trophies\" target=\"_blank\"\u003ePhilippe Hallais - THEME (TROPHIES)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Philippe Hallais","offers":[{"title":"Default Title","offer_id":42244287627488,"sku":"LOVE106BLACK","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Philippe-Hallais-An-American-Hero.jpg?v=1640603114"},{"product_id":"flute-songs","title":"(f)lute songs (LP)","description":"\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Trio For Duo \u003cbr\u003eA2. Dowland's Tears\u003c\/p\u003e\n\u003cp\u003eB1. Semper Dolens \u003cbr\u003eB2. Bruckstück\u003c\/p\u003e\n--\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eMary Jane Leach - (f)lute songs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint and completely blew us away, and '(f)lute songs’ is only her second vinyl release in over five decades, feeding and expanding our obsession with her work.\u003c\/p\u003e\n\u003cp\u003eIn the late 1970’s Mary Jane Leach was triggered by an interview she heard with Steve Reich in which he implored artists to figure out ways of becoming more self sufficient when it came to performance rather than relying on traditional group structures. At the time Leach had already began to experiment with recordings she had made of herself performing long sustained tones made on instruments she could play; mostly voice and bass clarinet, and gradually became fascinated by the sound phenomena resulting from layering tones on her multi-track tape machine. Reich’s thoughts, however, made Leach realise that she didn't have to restrict herself to instruments she could play and, in an indirect way, were the foundation for this album.\u003c\/p\u003e\n\u003cp\u003eTrio for Duo (1985), was Mary Jane's first attempt at creating work for instruments she couldn't play; revolving around alto flute and voice. She explains \"I had noticed that my voice matched the sound of the bottom fifth of the alto flute, and so the voice in this piece is sung to sound as much like an alto flute as possible. There are four parts, but only three play at the same time, one part passing off its last note to the next entering part, weaving a tapestry of matching and contrasting timbres. By using glissandos, more “extra-notated” sounds are created than appear on the page. I originally conceived of it with each part coming from four separate speakers placed in the four corners of a hall, but I realised that it sounds best on tape with a stereo mix.” The result is an incredible, highly engrossing study in phasing, the voice sung to sound as much like an alto flute as possible to the the extent that it becomes almost impossible to discern which parts are which.\u003c\/p\u003e\n\u003cp\u003eBruckstück (1989) was originally written for eight sopranos, but is played on flutes on this recording - using the same pitches, but sounding very different. It was commissioned by the Kulturamt in Köln to coincide with the opening of an exhibition of paintings by Jack Ox that were organised using an analysis of Bruckner’s Eighth Symphony. Mary Jane explains \"The lowest parts (relatively speaking) represent the string section, using the same basic rhythm as Bruckner’s to set up the tonality throughout the piece. The rest of the voices represent the wind instruments. The piece is polyphonic, with a lot of closely resolving intervals - primarily major and minor seconds. Rather than writing linear melodies for one voice, I wrote melodies that are passed from one voice to another.” Dowland’s Tears (2011) was written for for nine flutes, thinking of it as a recording project and not a concert piece (it now has a “solo” tenth part added), while Semper Dolens (2018) is for solo and six taped flutes, with sustained harmony and dissonance in mind.\u003c\/p\u003e\n\u003cp\u003eThese recordings feature noted Roman flutist Manuel Zurria, who has worked with some of the most important composers around the world. In 1990 he founded Alter Ego, a leading group for contemporary music in Italy. Numerous composers have written pieces for him, and he has expanded the repertoire even further by re-orchestrating compositions into pieces for multiple flutes, as heard on almost forty albums.\u003c\/p\u003e\n\u003cp\u003eIf you're interested in sound phenomena or just looking for some of the most beautiful, avant garde music you'll hear this year; we reckon (f)lute songs is a bit of a masterpiece.\" - Modern Love\u003c\/p\u003e","brand":"Mary Jane Leach","offers":[{"title":"Default Title","offer_id":42244287791328,"sku":"LOVE109","price":18.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Mary-Jane-Leach-flute-Songs.jpg?v=1640603125"}],"url":"https:\/\/spectrumcityshop.pro\/collections\/modern-love.oembed","provider":"Spectrum City","version":"1.0","type":"link"}