{"title":"Label: Dug Out","description":"","products":[{"product_id":"rap-pon-rydim-7","title":"Rap Pon Rydim (7\")","description":"\u003cp\u003e\u003cstrong\u003eTiger ‎– Rap Pon Rydim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Rap Pon Rydim \u003cbr\u003eB1. Rap Pon Rydim (Version)\u003c\/p\u003e\n\u003cbr\u003e--\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eTiger ‎– Rap Pon Rydim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1988 WTF\u003c\/p\u003e\n\u003cp\u003e\"A previously-unreleased rocksteady version of Ding Dong Merrily On High. Or rather the one-of-a-kind, head-on, 1988 mashing of harder-than-hard-core dancehall and ultra-raw Detroit techno. Utterly inspired, gale-force ranting pon a flashin’ TR-909. Soundboy will choke on his Horlicks and soil his winceyette onesie. 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Surely that’s Family Man stalking a sunken cavern, and his bro battering all seven shades out of his drum-kit, like Meters on fire; and Chinna on guitar, glazed and violent. The mixing rears up right in your face.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProducer Gussie Clarke says Theophilus ‘Easy Snappin’ Beckford is playing piano, with the front removed so he can strum the strings (like he finally snapped) — but he credits the work overall to Augustus Pablo.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTransferred from acetate — \u003cstrong\u003efuss-pots don’t grumble, just be humble\u003c\/strong\u003e — though the flip brings a clutch of criss, unmissable alternates, direct from Gussie’s tape-room (where the files are entitled ‘Classical Illusion \/ The Sun’).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy, heavy funk. Simplicity People dug in. 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The studios were Bullwackies, in the Bronx, where the genius Lloyd Barnes produced Tempo Explosion with Sugar Minott, and Music Mountain, in Stony Hill, Kingston, where David Rowan was the recordist, and the heavyweight Crucial Bunny (from Channel One) mixed the Nitty Gritty LP, General Penitentiary. Business was run from two New York record shops: Madison Records at 125th Street in Harlem, and Wackies.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDancehall saviour of Studio One, and co-architect of Black Victory, Wackies stalwart Minott himself takes the mic, kicking off the imperious Tempo Explosion version-excursion, and on the final Black Victory release, the single Sheriff John Brown, a driving sufferers cliffhanger about bent cops and going on the run; whilst elsewhere on the label he introduces his brilliant proteges from Youth Promotion, Tenor Saw, just twenty, and Nitty Gritty, fresh from Jammys via London. Studio One veteran Willie Williams turns in one of his masterworks, pile-driving Shaka murder, with a deejay cut by newcomer Colorman.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe material is mostly one-away, except for that utterly devastating, chilled, dread run on King Tubby’s Tempo rhythm, surely the greatest one-rhythm album of all time, with the very greatest versions of the Red Rose classic. (Wackies artist Leslie Moore’s sleeve design compares its intensity with nuclear testing in Nevada, so you know you’re in trouble even before the needle drops.)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout Black Victory, the musicianship and dubwise production magnificently ride the cusp between analogue and digital, with masterful live performances and swinging drum programs seamlessly combined. Check Bagga, dense and churning, in amongst the hotter claps on Sheriff John Brown; also the meticulous, mesmeric mixing of the electronic percussion on the Williams' dub.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIbo Millington's imprint released just five twelves and two LPs, pure killer from start to finish. Here it all comes again: ’Largeness in an International Venture’, as he called it back then.\"\u003c\/em\u003e - DUG OUT\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Sugar Minott – Devil Is At Large\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_A1.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. Chris Wayne – Don't Worry Yourself\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_A2.mp3?v=1710077624\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA3. Willie Williams – Solid Rock I Stand\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_A3.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA4. Ras Menelik Dacosta – Free South Africa\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_A4.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Jerry Johnson – Tribute To Prince Knight\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_B1.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Black Roots Players – Temp Dub\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_B2.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB3. Black Roots Players – Slow Tempo\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_B3.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB4. Black Roots Players – Up Tempo\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tempo_Explosion_B4.mp3?v=1710077625\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Various - Reggae\/Dub","offers":[{"title":"Default Title","offer_id":47771827437916,"sku":"A.D.M.-070","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/TempoExplosion1.jpg?v=1710077500"},{"product_id":"genesis-drum-talk-7","title":"Drum Talk (7\")","description":"\u003cp\u003e\u003cstrong\u003eGenesis – Drum Talk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 7\" reissue of an unmissable Tubby's dub courtesy of Dug Out.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In the early seventies Leroy ‘Mabrak’ Mattis studied at Howard University in Washington DC, where he joined a drum and dance group named Contact Africa. Instructor Kojo Fosu introduced him to the talking drum. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘I had only seen it in magazines. He started showing me, and taught me the history of it. Talking drum is the highest level of drum music… ‘Going back home in 1973, I knew I was now ready to record. That’s when I bumped into an old friend, Bim Sherman. He knew I was a musician, and he was going to King Tubby’s studio that day. I tagged along. I recorded rasta repeater drum overdubs on his first hit, 100 Years. This allowed me to re-connect with Tubby…’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith brilliant guitar instead of horns, here is a different version of the rhythm Bim used for Love Forever. The same as on Mabrak’s Drum Talk LP — but a little brighter and more dynamic, and bringing a deep, unmissable Tubbys dub.\" - DUG OUT\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Drum Talk\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Genesis_-_Drum_Talk_A1.mp3?v=1710078603\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. 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Riding the Final Weapon rhythm - complete with signature cowbell, sharp guitar skanks, and a bassline sunk low in the mix - Rose delivers a performance that balances discipline with mysticism. It’s all happening live, with Lee Perry manning the board and channeling the moment. Niney's influence lingers, and though Sherwood later revisited the track with Ari Up, this is the original hortical version - raw, resonant, and timeless.\u003c\/p\u003e\n\u003cul class=\"tracklist\"\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003eA. Obserb Life\u003c\/p\u003e\n\u003caudio src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Obserb_Life.mp3?v=1756836461\" controls=\"controls\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003eB. Obserb Life (Version)\u003c\/p\u003e\n\u003caudio src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Upsetters_Obserbing_Dub.mp3?v=1756836459\" controls=\"controls\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"riyl\"\u003e\n\u003cstrong\u003eRIYL\u003c\/strong\u003e \u003cspan\u003eLee \"Scratch\" Perry, The Congos, Prince Far I, Adrian Sherwood, Niney the Observer\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e 7\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e Dub \/ Roots Reggae\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel\u003c\/strong\u003e Upsetter \/ Dug Out\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e Jamaica \/ Germany\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\n  .tracklist {\n    list-style: none;\n    padding: 0;\n    margin: 1em 0;\n  }\n  .track {\n    margin-bottom: 1.5em;\n  }\n  .track p {\n    margin: 0 0 0.3em 0;\n    font-weight: 500;\n  }\n  .track audio {\n    width: 100%;\n    max-width: 400px;\n    outline: none;\n  }\n  .meta, .riyl {\n    font-size: 0.95em;\n    margin-top: 1.5em;\n  }\n  .meta strong, .riyl strong {\n    display: inline-block;\n    width: 100px;\n    vertical-align: top;\n  }\n  .riyl span {\n    display: inline-block;\n    max-width: calc(100% - 100px);\n  }\n\u003c\/style\u003e","brand":"Michael Rose","offers":[{"title":"Default Title","offer_id":55390595121500,"sku":"DO-UP4190","price":8.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/MichaelRose-ObserbLife.jpg?v=1756836975"},{"product_id":"gregory-isaacs-nobody-knows-7","title":"Gregory Isaacs – Nobody Knows (7\")","description":"\u003cstyle\u003e\n  .tracklist {\n    list-style: none;\n    padding: 0;\n    margin: 1em 0;\n  }\n  .track {\n    margin-bottom: 1.5em;\n  }\n  .track p {\n    margin: 0 0 0.3em 0;\n    font-weight: 500;\n  }\n  .track audio {\n    width: 100%;\n    max-width: 400px;\n    outline: none;\n  }\n  .meta, .riyl {\n    font-size: 0.95em;\n    margin-top: 1.5em;\n  }\n  .meta strong, .riyl strong {\n    display: inline-block;\n    width: 100px;\n    vertical-align: top;\n  }\n  .riyl span {\n    display: inline-block;\n    max-width: calc(100% - 100px);\n  }\n\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003eGregory Isaacs – Nobody Knows (7\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDrawn from the sessions that produced Gregory Isaacs’ 1988 \u003cem\u003eNew Dance\u003c\/em\u003e album, \u003cem\u003eNobody Knows\u003c\/em\u003e is a standout example of top-tier digital roots reggae. Backed by the Firehouse Crew and produced by Bunny Gemini and Tristan Palma, the track pairs a taut, rolling digital rhythm with one of Gregory’s most affecting late-era vocal performances.\u003c\/p\u003e\n\u003cp\u003eMixed by Leroy “Fatman” Thompson - whose engineering lineage runs directly through King Tubby before later work with the Jammys camp - the record delivers everything great that digi reggae should: crisp rhythm, deep bass, and spacious dubwise detail.\u003c\/p\u003e\n\u003cp\u003eIsaacs sounds weary, vulnerable, and completely compelling, while the dub version strips the rhythm to its skeletal foundations of echo, bass, and atmosphere. A killer late-'80s Gregory cut and an essential digi roots 45.\u003c\/p\u003e\n\u003cul class=\"tracklist\"\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003eA1. 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