{"title":"Label: Boomkat Editions","description":"","products":[{"product_id":"my-good-friends-tell-me-that-12","title":"My Good Friends Tell Me That (12)","description":"\u003cp\u003eA1. My Good Friends Tell Me That\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\"You Speak What I Feel are Terre Thaemlitz (DJ Sprinkles), Mark Fell + Mat Steel (SND), presenting here a previously unheard House killer produced in 2002 and completely destroying us!!!!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNext in our 12 x 12 series is this total fxcking peach of a collaboration made in 2002 by three peers with a mutual passion for the deepest, original NYC garage and house grooves. It’s the first time that longtime friends Sprinkles and SND have used their collective handle \u003cem\u003eYou Speak What I Feel\u003c\/em\u003e since an appearance on a Comatonse 10th Anniversary Compilation back in 2003, and finds the trio at their deadliest; producing a deep-as-anything, peak-time doozy riding a strolling bassline, pointillist claps and effervescent chords for 10 minutes of swingers’ bliss.\u003c\/p\u003e\n\n\u003cp\u003eSince the late ‘80s, on either side of the Atlantic - Thaemlitz in the depths of NYC; Steel + Fell in the pivotal Sheffield rave scene - both groups of operators were indelibly influenced by the sensuality and egalitarian politics of the House music movement which had spread from marginalised Gay and Black communities in urban American cities to take root in places such as Northern England, where, back then, as now, many young people felt an instinctive affinity with house music and its origins.\u003c\/p\u003e\n\n\u003cp\u003eBy the late ‘90s Thaemlitz was established as a hugely individual artist and DJ blurring the distinctions between ambient, concrète and dancefloor musics. A few years later, In 1998, Fell + Steel forged their SND alias in Sheffield with a series of records that radically reduced garage to its barest essence. Fast forward a couple of years and it was only a matter of time before the trio would consolidate their discrete, cerebral and deeply sound-sensitive approaches in the most devastating fashion imaginable.\u003c\/p\u003e\n\n\u003cp\u003eMade in 2002, at a time when House was firmly into its ‘mnml’ phase, and original Garage was reserved to weekenders or sped-up, 2-stepped and hyper, the elegant gait and sublimely tactile insistence of \u003cem\u003eMy Good Friends Tell Me That\u003c\/em\u003e is a rare, exceptional example of producers returning to and reworking the foundational template and cooking up something fresh yet timelessly future-proofed in the process.\u003c\/p\u003e\n\n\u003cp\u003eIt’s a prime example of economy, discipline and restraint at the service of hedonism and a deep burning emotive grip, and we’re immensely proud to make it available for public consumption for the first time, at long last.\"\u003c\/p\u003e","brand":"You Speak What I Feel","offers":[{"title":"Default Title","offer_id":42244278878432,"sku":"BK12X1203","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/My-Good-Friends-Tell-Me-That.jpg?v=1640602995"},{"product_id":"can-i-change-my-mind","title":"Can I Change My Mind? (12\")","description":"\u003cp\u003e\u003cstrong\u003eBeatrice Dillon - Can I Change My Mind?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Can I Change My Mind?\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eBeatrice Dillon - Can I Change My Mind?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eExceptional, 15 minute long dancer from Beatrice Dillon, blessing the 12 x 12 series with a concatenated ‘nuum sidewinder Can I Change My Mind?, where the London-based artist nimbly finds the square roots of jungle, techno, noise and minimalist dance music firmly anchored in steppers’ dub and West African percussive tradition. If you’ve ever been snagged by Sotofett, DJ Krust or Shackleton’s devilish dubs, this one’s for you!\u003c\/p\u003e\n\n\u003cp\u003eSince first emerging with a highly regarded monthly NTS radio show, a reel of widely-praised mixtapes for The Trilogy Tapes, Blowing Up the Workshop and, most recently, a mix with Ben UFO for Wichelroede, Beatrice’s uniquely focussed solo works - including two excellent EPs for Where To Now? and a split with Karen Gwyer - along with two acclaimed LPs with Rupert Clervaux and her recent remix for Helm on the PAN label, have all come to define a curious juncture of worldly rhythm studies and probing electronics which arguably exists in a long lineage of avant-garde experimentation done at the service of ‘floors both real and imagined.\u003c\/p\u003e\n\n\u003cp\u003eCan I Change My Mind? is Beatrice’s most tracky solo production to date, and also the most singular, adroit demonstration of what makes her tick, combining and parsing the most affective, tactile parts of Black Atlantic percussive patterns with a learned appreciation of dub-style economy and concrète texturing.\u003c\/p\u003e\n\n\u003cp\u003eAcross 13 minutes of morphing, fractious rhythm, Beatrice renders clear the prismic and rhizomic dub binds and syncopations that connect original, rolling African drum traditions with Afrobeat and highlife, and likewise between proper UK roots steppers, house and ‘90s jungle, or, for that matter, the mosaic of modern antecedents which continue to be informed by those styles - from the rites of Shackleton to Tessela’s visceral techno swerve and the mercurial grooves of Rian Treanor or her sometime collaborator, Kassem Mosse.\u003c\/p\u003e\n\n\u003cp\u003eUrged by the intuition of a helpless riddim fiend and premo DJ, Beatrice nimbly synchs swollen, globular bass, needlepoint hi-hats and shocks of flinty amens at 150bpm in a deadly, mutating bogle, effectively exploring every interstice of half, double, and triplet-timed calculation with devilish sleight of hand and cadence; never letting the ball drop whilst suggesting myriad points of interpretation for the dancers and DJs.\u003c\/p\u003e\n\n\u003cp\u003eIt’s a singular work of experience, intuition and technique, and perhaps surprisingly only her 3rd solo release proper. But its daring ruggedness and stringency is a clear indication that Beatrice Dillon is only just warming up and coming into her own. There’s only one side, one track. But it’s all you need.\u003c\/p\u003e\n\n\u003cp\u003eLimited Edition one-sided 12\". Reverse-board sleeve with printed inners.\u003c\/p\u003e","brand":"Beatrice Dillon","offers":[{"title":"Default Title","offer_id":42244287660256,"sku":"BK12X1202","price":11.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Beatrice-Dillon-Can-I-Change-My-Mind.jpg?v=1640603123"},{"product_id":"burnt-sudo","title":"Burnt \/ Sudo (12\")","description":"\u003cp\u003e\u003cstrong\u003eYally - Burnt \/ Sudo\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Burnt 5:10\n\u003cbr\u003eA2. 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We’ve asked twelve of our favourite artists (old and new) to contribute a release each to the series, the first instalment featuring two scudding, killer steppers productions from Raime’s expert bladesmen, Joe Andrews and Tom Halstead, moonlighting here for the first time under a new alias on a rare away-day from Blackest Ever Black.\u003c\/p\u003e\n\n\u003cp\u003eWith a deep blue, skunked-out appeal right on the lip of late ’90s garage and early ’00s grime, London’s dankest duo compound, reflect and relieve the choking intensity of their recent 2nd album Tooth on the paranoid bruiser Burnt and its dread inversion Sudo, making up their most ‘floor-dedicated session in more than five years of operations.\u003c\/p\u003e\n\n\u003cp\u003eToeing a line in the shadows between nervy but enervated, crushed and high, both cuts transpose the indelible impression of raving in a very different London landscape - pre-smoking ban and extreme financial bifurcation - with a patently shocking sense of economy and pressure that feels as vitally subversive as ever in the face of current capitalist realism.\u003c\/p\u003e\n\n\u003cp\u003eDrawn from muscle memory of 2-step’s transition from champagne-soaked knees-up into paradoxically dense but spacious, stoned and impending sound designs, they form a sort of coming-to-terms with that epoch’s innovations in much the same way that their Moin releases firmly grappled with inextinguishable influence from the studio genius of Steve Albini and This Heat.\u003c\/p\u003e\n\n\u003cp\u003eBurnt pins us by the windpipe with Stanley shanked hi-hats and ratty claps whilst cavernous, amorphous subs bruise flesh and dislocated yelps of pleasure\/pain break thru rictus jaws. Think El-B or Hatcha echoing out of a graveyard slot on pirate radio circa ’03. With Sudo they pronate on the tightest, simmering halfstep; harnessing illicitly overloaded, vintage Air Max PSI allowance with shoulder rolling organ motif and nerve-tying ligature, perhaps imagining the pre-echoes of earliest Hyperdub or a Black Ops joint that even Jon E Cash was too shook to issue.\" - \u003cstrong\u003eBoomkat Editions\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yally","offers":[{"title":"Default Title","offer_id":42244287758560,"sku":"BK12X1201","price":10.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Yally-Burnt-Sudo.jpg?v=1640603116"},{"product_id":"superimpositions-lp","title":"Superimpositions (LP)","description":"\u003cp\u003e\u003cstrong\u003eLorenzo Senni ‎– Superimpositions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Happic 4:14\n\u003cbr\u003eA2. Elegant, And Never Tiring 5:46\n\u003cbr\u003eA3. Zeroth-order Approximation 2:20\n\u003cbr\u003eA4. Superimpositions 5:42\u003c\/p\u003e\n\n\u003cp\u003eB1. Forever Headline 7:43\n\u003cbr\u003eB2. Xxx1 2:42\n\u003cbr\u003eB3. PointillisticT 3:13\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eLorenzo Senni ‎– Superimpositions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"The conceptual sibling to his blinding 'Quantum Jelly' side for Editions Mego in 2012, 'Superimpositions' finds the Milan-based multi-disciplinary artist and owner of the brilliant Presto!? Records accelerating and evolving his idea of \"Pointillistic Trance\" - an ascetic, extreme approach to the aesthetics of '90s-style trance\/hard-trance - in a broader range of song structures, hyper-lucid moiré patterns, and tantric dancefloor arrangements. Again, he \"plays\" a computer-controlled JP8000 Roland Digital-Analog Modelled S-Source Synthesiser to juice the most potent, searing saw wave arpeggios and spiralling melodies, finding the biting point between real-time, hands-on, emotive human input, and the sleek tension of synthesis.\u003c\/p\u003e\n\n\u003cp\u003eFrom the serotonin-flooding rush of opener 'Happic' to the beautiful come down of 'PointillistiC', the album plays out a sisyphean struggle for deferred gratification, challenging limbic systems and our sense of equilibrioception thru the spine-tingling aerobic coefficients of 'Elegant, And Never Tiring' and the scything, strobing rhythmelody of the title track, to peak with the palpitating surge of 'Forever Headline' at its white hot core. It's all more effective than a triple-barelled mitsi in the jacksy, and hasn't been off our turntable all summer...\" - Boomkat Editions\u003c\/p\u003e","brand":"Lorenzo Senni","offers":[{"title":"Default Title","offer_id":42244290871520,"sku":"BKEDIT010","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Lorenzo-Senni-_E2_80_8E_E2_80_93-Superimpositions.jpg?v=1640603170"}],"url":"https:\/\/spectrumcityshop.pro\/collections\/label-boomkat-editions.oembed","provider":"Spectrum City","version":"1.0","type":"link"}