{"title":"Label: Blackest Ever Black","description":"","products":[{"product_id":"sleep-heavy","title":"Sleep Heavy (LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eJabu - Sleep Heavy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackest Ever Black presents Sleep Heavy, the debut album of broken-hearted, downtempo R\u0026amp;B\/street-soul and supremely atmospheric, introspective electronics from Jabu: a trio comprised of vocalist\/lyricists Alex Rendall and Jasmine Butt, and producer Amos Childs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group was born out of Bristol's Young Echo collective: an ecosystem unto itself which has birthed and nurtured a number of other notable soundsystem-rooted projects and artists to date including Kahn \u0026amp; Neek, Sam Kidel, Ishan Sound, Ossia, Asda, Chester Giles (the title Sleep Heavy comes from a Giles poem) and Killing Sound (Childs with Kidel and Vessel).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJabu's previous 7' singles, though arresting, barely hinted at the level of accomplishment and emotional heft that Sleep Heavy delivers. It's a future Bristol classic with a universal resonance, with songs that are highly personal but deeply relatable, and tripped-out, time-dissolving sound design that both haunts and consoles. It is, first and foremost, a meditation on grief, on loss, making sense of separation and death; but it also looks forward to what might come after the aftermath: healing, acceptance, the chance to begin again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChilds is one of the most gifted producers of his generation and his work here, grounded in hip-hop but floating free, is a thing of sustained wonder: crepuscular, melancholic - funereal, at times - subtly psychedelic and heavily dubwise, but always concise and purposeful. Stitched together from deep-dug and beautifully repurposed samples, it draws on influences from US R\u0026amp;B to Japanese art-pop minimalism - Mariah to Mariah Carey, if you will - and a rich seam of underground UK soul, boogie, DIY\/post-punk, library music and lovers rock; refining and reconstituting these inputs into powerfully immersive, emotionally ambiguous soundscapes as eloquent and engaging as they are understated and bottomlessly mysterious.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is also of course a distant connection to the Bristol blues of Smith \u0026amp; Mighty and the sultry urban gothic of Protection-era Massive Attack, but Jabu's orchestration of womb-like ambiences, cold synth tones and brittle beats feel entirely sui generis. They provide the perfect setting for Rendell's wounded, imploring and carefully weighted vocals, which are no less extraordinary: nodding to giants like Teddy Pendergrass and The Temptations in terms of phrasing and front-and-centre vulnerability, with something of The Associates'Billy Mackenzie in there too; defeated but defiant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile Jas's heavenly interventions, sometimes leading but more often parsed and layered into tremulous, gossamer abstraction, draw a line between the Catholic choral harmonies of her childhood and the ethereal, oceanic sweep of Cocteau Twins. Oceanic is the word: this is music to drown, and drown gratefully, in.By its end, Sleep Heavy's world-weariness is intact and scarcely diminished, but some light has been admitted, and is visible from the sea-floor. A chance, not a promise. Something to swim towards.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Let Me Know 4:37\u003cbr\u003eA2. Tomb 1:24\u003cbr\u003eA3. Get To You 5:24\u003cbr\u003eA4. Fool If 4:45\u003cbr\u003eA5. Bones 1:50\u003cbr\u003e\u003cbr\u003eB1. On 3:04\u003cbr\u003eB2. Searc 1:07\u003cbr\u003eB3. Wounds 3:46\u003cbr\u003eB4. Which Way 4:48\u003cbr\u003eB5. Lay You Down 2:48\u003cbr\u003eB6. Give 2:30\u003c\/p\u003e","brand":"Jabu","offers":[{"title":"Default Title","offer_id":43448122999008,"sku":"BLACKESTLP016","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Jabu-SleepHeavy.jpg?v=1664021262"},{"product_id":"themes-ep","title":"Themes (EP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eNaaahhh – Themes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFive tracks of darkside slither from somewhere under London. Sidereal downers for all hardcore ravers. The dread energy of grime and bleep techno distilled into pungent electro-acoustic ooze.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParanoid street music meets the cosmic disturbances of musique concrete, the spine-freeze of isolationism and England's Hidden Reverse.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStaccato string stabs, murmured voices, black holes of reverb and pulverising, body-numbing bass. Drums optional. Unwanted side-effects include nosebleeds, earaches, stomach cramps, and nausea. Just say naaahhh.\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qtX-5D_XVgI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nhKQ41YYaLs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Blooz 4:00\u003cbr\u003eA2. Empty Rituals 4:29\u003cbr\u003eA3. My Theme 6:35\u003cbr\u003e\u003cbr\u003eB1. Neck Devour 5:32\u003cbr\u003eB2. Theme 2 7:01\u003c\/p\u003e","brand":"Naaahhh","offers":[{"title":"Default Title","offer_id":43449787252960,"sku":"BLACKEST054","price":13.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Naaahhh_Themes.jpg?v=1664095537"},{"product_id":"regis-manbait","title":"Manbait (2LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eRegis - Manbait\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eManbait is a survey of Regis' 2010-15 productions and remixes for Blackest Ever Black. As well as three originals (in several different versions) and his celebrated remixes of Raime, Vatican Shadow, Ike Yard and Dalhous, it features three previously unreleased tracks: a brand new Regis take on a lost song by his teenage synth-punk group Family Sex, an alternate mix of Tropic of Cancer's 'Plant Lilies At My Head', and a new edit of his own 'Blinding Horses'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 2LP edition features 8 tracks, including Family Sex and Tropic of Cancer, and the now rare sought-after Raime, Vatican Shadow and 'Blinding Horses' remixes. It also comes packaged with a download code (MP3\/FLAC) for all 12 tracks on the CD\/Digital release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith exquisite cover art (Survivir, 1987) by none other than Val Denham, this is an anthology that no conscientious stableboy or girl can refuse. Life hurts!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. \u003cstrong\u003eIke Yard\u003c\/strong\u003e – Loss (Regis Version)\u003cbr\u003eA2. \u003cstrong\u003eDalhous\u003c\/strong\u003e - He Was Human And Belonged With Humans (Regis Version)\u003cbr\u003e\u003cbr\u003eB1. \u003cstrong\u003eVatican Shadow\u003c\/strong\u003e - Church Of All Images (Regis Version)\u003cbr\u003eB2. \u003cstrong\u003eFamily Sex\u003c\/strong\u003e– Manbait (Regis Version)\u003cbr\u003e\u003cbr\u003eC1. \u003cstrong\u003eRegis\u003c\/strong\u003e - Blood Witness (Original 12\" Mix)\u003cbr\u003eC2. \u003cstrong\u003eCub\u003c\/strong\u003e - C U 1 (Originial Mix)\u003cbr\u003e\u003cbr\u003eD1. \u003cstrong\u003eRaime\u003c\/strong\u003e - This Foundry (Regis Version)\u003cbr\u003eD2. \u003cstrong\u003eTropic Of Cancer\u003c\/strong\u003e - Plant Lilies At My Head (Alternate Version)\u003c\/p\u003e","brand":"Regis","offers":[{"title":"Default Title","offer_id":43449820578016,"sku":"BLACKESTLP013","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Regis-Manbait.jpg?v=1664097344"},{"product_id":"cut-hands-festival-of-the-dead","title":"Festival Of The Dead (2LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eCut Hands - Festival Of The Dead\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP - comes with download code\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. Now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. We here present Cut Hands and Festival Of The Dead. The double vinyl LP comes in gatefold sleeve and includes MP3\/FLAC download code.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is Cut Hands’ third album to date: the acclaimed Afro Noise I introduced the project in 2011, and 2012′s Black Mamba expanded its feverish vision, preceded by a single of the same name on Blackest Ever Black. 2013 saw the release of the similarly fiery ‘Madwoman’ and ‘Damballah 58′ 12″s (on Downwards and BEB respectively).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFestival Of The Dead is without doubt the most potent distillation yet of Cut Hands’ malign percussive energy, with pieces like ‘The Claw’ and ‘Vaudou Take Me High’ leading the irresistible polyrhythmic assault, in pursuit of one thing: a final rapturous celebration of oblivion.\" - BLACKEST EVER BLACK\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. The Claw 6:28\u003cbr\u003eA2. I Know What I Must Do 0:50\u003cbr\u003eA3. Damballah 58 6:40\u003cbr\u003e\u003cbr\u003eB1. Parataxic Distortion 3:28\u003cbr\u003eB2. Festival Of The Dead 4:54\u003cbr\u003eB3. Belladonna Theme 3:11\u003cbr\u003e\u003cbr\u003eC1. Vaudou Take Me High 6:51\u003cbr\u003eC2. Inlightenment 3:14\u003cbr\u003eC3. None Of Your Bones Are Broken 2:40\u003cbr\u003e\u003cbr\u003eD1. Madwoman (Festival Mix) 5:52\u003cbr\u003eD2. Fruit Is Ripe 2:17\u003cbr\u003eD3. Fire Ends The Day 3:37\u003c\/p\u003e","brand":"Cut Hands","offers":[{"title":"Default Title","offer_id":43481919291616,"sku":"BLACKESTLP010","price":14.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/CutHands-FestivaloftheDead.jpg?v=1664819904"},{"product_id":"raime-tooth","title":"Tooth (2LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eRaime - Tooth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP - comes with download code\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe widescreen melancholia of their 2012 debut, Quarter Turns Over A Living Line, gives way to an urgent and focused futurism, in the shape of eight fiercely uptempo, minimal, meticulously crafted electro-acoustic rhythm tracks.\u003c\/p\u003e\n\u003cp\u003eThe DNA of dub-techno, garage\/grime and post-hardcore rock music spliced into sleek and predatory new forms. No let-up, no hesitation. Needlepoint guitar, deftly junglist drum programming, brooding synths and lethal sub-bass drive the engine. The production is immaculate, high definition. No hiss, no obscuring drones or extraneous noise: the music of Tooth is wide-open and exposed.\u003c\/p\u003e\n\u003cp\u003eThe seeds of its supple dancehall biomechanics can be found in the self-titled 2013 EP by Raime side-project Moin, an ahead-of-its-time synthesis of art-rock and soundsystem sensibilities, but Tooth pushes the template further, binding the disparate elements together so tightly that they become indistinguishable from one another. If Quarter Turns was an album that confronted total loss and self-destruction, even longed for it, then Tooth is the sound of resistance and counter-attack: cunning, quick, resolute; calling upon stealth as much as brute-force.\u003c\/p\u003e\n\u003cp\u003eAt a time when so many pay lip service to experimentation without ever fully committing themselves or their work to it, Raime return from three years of deep, dedicated studio research with a bold and original new music: staunch, rude, and way out in front.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Coax\u003cbr\u003eA2. Dead Heat\u003cbr\u003e\u003cbr\u003eB1. Hold Your Line\u003cbr\u003eB2. Front Running\u003cbr\u003e\u003cbr\u003eC1. Dialling In, Falling Out\u003cbr\u003eC2. Glassed\u003cbr\u003e\u003cbr\u003eD1. Cold Cain\u003cbr\u003eD2. Stammer\u003c\/p\u003e","brand":"Raime","offers":[{"title":"Default Title","offer_id":43485777592544,"sku":"BLACKESTLP014","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Raime-Tooth.jpg?v=1664907441"},{"product_id":"pessimist-2lp-w-download-code","title":"Pessimist (2LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003ePessimist - Pessimist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP - comes with download code\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith his self-titled debut album – across ten ice-cold and avowedly futuristic tracks – Pessimist not only seals his status as one of the most innovative and consummate producers currently drawing breath, he delivers a defining work which to us represents the culmination of nearly a decade of collective research and development in underground drum’n’bass.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn recent years many brave souls have tried to bridge the sonics and sensibilities of d’n’b and techno, but the results have invariably fallen short of aspirations. The closer we would get to this mythical fusion, the more elusive it would feel. Enter Pessimist. It is hard to think of a producer since T++ that has so radically, and successfully, reinvented\/deconstructed the jungle-techno relationship. In fact Pessimist makes drum ‘n bass work as techno: applying the exquisite monotone quality of the latter to the rhythmic swerve and soundsystem heft of the former. Moreover, he makes it look easy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe perfectly formed ‘Balaklava’ 12” for BEB’s A14 sub-label in 2016 was his first work to attract serious attention outside of d’n’b circles, but the young Bristol producer’s singular aesthetic had been honed across important records for the likes of Samurai and Ingredients, and as a member of the Ruffhouse crew. Since ‘Balaklava’ the experimentation has continued apace across on EPs on UVB-76 and Osiris Music, and a remix of Schiari on Ilian Tape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCutting edge techno-dnb hybrids form the backbone of this showcase LP, but its make-up and its narrative are more complex than that. Make no mistake: the atmosphere throughout is paranoid, isolationist, unwaveringly dystopian. But out of this noir, smoked-out dubscape emerge a variety of things: fierce, Babylon-shall-fall jungle tear-outs (‘Through The Fog’); zoned, acidic rave (‘Peter Hitchens’); downtempo breakbeat excursions (‘Glued’); sleek and rude ‘Balaklava’-esque steppers (‘Spirals); and passages of bleak, bombed-out industrial ambience. At times it feels like the missing link between British Murder Boys and Source Direct, or what might have happened if late 90s UK junglists had listened more closely to Chain Reaction. But really, it sounds like Pessimist and Pessimist alone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWide-roaming and shape-shifting it might be, but that Pessimist sound is single-minded and instantly recognisable. The ruthless minimalism, and the tension which comes of that restraint. The effortless swing and sophistication of the drum programming; the relentless and predatory, but always elegant, forward motion. The abyssal reverbs and long trails of delay. The deep and body-numbing sub-bass. The uncompromising palette of blacks and blues.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Intro (1:43)\u003cbr\u003eA2. Bloom (5:46)\u003cbr\u003eA3. Grit (5:36)\u003cbr\u003e\u003cbr\u003eB1. Spirals (6:02)\u003cbr\u003eB2. Glued ft. Loop Faction (6:32)\u003cbr\u003e\u003cbr\u003eC1. War Cry (2:16)\u003cbr\u003eC2. Peter Hitchens (7:18)\u003cbr\u003e\u003cbr\u003eD1. No Matter What ft. Overlook (7:21)\u003cbr\u003eD2. Through The Fog (6:31)\u003cbr\u003eD3. Outro (2:24)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/325543393\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" allow=\"autoplay\" scrolling=\"no\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Blackest Ever Black\" href=\"https:\/\/soundcloud.com\/blackest-ever-black\" target=\"_blank\"\u003eBlackest Ever Black\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Pessimist - Spirals\" href=\"https:\/\/soundcloud.com\/blackest-ever-black\/pessimist-spirals\" target=\"_blank\"\u003ePessimist - Spirals\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Pessimist","offers":[{"title":"Default Title","offer_id":43488839041248,"sku":"BLACKESTLP017","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Pessimist-Pessimist.jpg?v=1664993957"},{"product_id":"visibility-is-a-trap-ep","title":"Visibility Is A Trap (EP)","description":"\u003cp\u003e\u003cstrong\u003eDalhous – Visibility Is A Trap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Visibility Is A Trap is an EP by Dalhous, comprised of four originals together with a masterfully understated Regis remix of He Was Human And Belonged With Humans'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVisibility Is A Trap reflects writer-producer Marc Dall's interest in the language and imagery of self-help, R.D. Laing and the anti-psychiatry movement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Information Is Forever'and A Change Of Attitude'are firmly in the ambient mode, Active Discovering'fizzes with arpeggiated energy, and a battery of percussion disrupts the calm surface of Sight Of Hirta'. Something is up. All is not as it seems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Regis remix of Ambassador highlight He Was A Human And Belonged With Humans'finds Karl O'Connor in unusually pensive mood. In fact this near-beatless, dubwise version is unlike anything he has put his name to before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDiscarding the rhythmic skeleton of Dalhous's original, he gives their weeping saxophone more space to roam and resonate, adding off-beat, sleep-deprived keys, murmured vocal fragments and swells of sub-bass pressure.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt could be construed as a love letter to his former home in West Berlin; certainly it evokes and effortlessly updates the drugsick grandeur of later Neubauten or Low side 2.\"\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Active Discovering\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A1.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA2. Information Is Forever\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A2.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA3. Sight Of Hirta\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A3.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA4. A Change Of Attitude\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A4.mp3?v=1705147203\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eB1. He Was Human And Belonged With Humans (Regis Version)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_B1.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dalhous","offers":[{"title":"Default Title","offer_id":47531230789980,"sku":"BLACKEST 029","price":12.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Dalhous_VisibilityIsATrap.jpg?v=1705146636"},{"product_id":"john-t-gast-wygdn-10","title":"WYGDN (10\")","description":"\u003cp\u003e\u003cstrong\u003eJohn T. Gast - WYGDN \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo incredible, mournful productions by John T. Gast - one for the dance, the other for quiet introspection - on the now sadly retired Blackest Ever Black label. 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Vocals from the source squished, hacked and splattered across an infinite horizon of vaporous, funereal string-pads.\" - BLACKEST EVER BLACK\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. wygdn_bashmenttk9\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/WYGDN_01.mp3?v=1708874323\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. wygdn_tryagen (5)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/WYGDN_02.mp3?v=1708874323\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"John T. 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