{"title":"Label: Berceuse Heroique","description":"","products":[{"product_id":"zibaldone-iii-of-cvx","title":"Zibaldone III Of Cvx (12\")","description":"\u003cp\u003e\u003cstrong\u003eCVX - Zibaldone III Of Cvx\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Protesta Humana\n\u003cbr\u003eA2. Fleurs Pour Simone (Part 1)\n\u003cbr\u003eA3. Every Tyrant In History\u003c\/p\u003e\n\n\u003cp\u003eB1. Invectors\n\u003cbr\u003eB2. Fleurs Pour Simone (Part 2)\n\u003cbr\u003eB3. Exhibit 'A' Smartphone\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCVX - Zibaldone III Of Cvx\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"Marx’s famous assertion that history would repeat itself first as tragedy, then as farce, seemed to come to its full predictive fruition in 2017. Perhaps––in the case of the Euro-Atlantic democratic project––as a result of our systems of governance becoming so comprehensively untethered from the ancient idea whose name they continue to use and abuse. The parasites of neoliberalism are killing the democratic host… Plutocracy is thriving…\u003c\/p\u003e\n\n\u003cp\u003eIn this third instalment of the Zibaldone series, Rupert Clervaux’s CVX alter-ego impulsively fills his audio notebook with musical settings for those ideas––namely sortition and anarchism––that present real alternatives to the dire political landscape of our time, and for the words of some who have made it their life’s work to challenge the foundations, assumptions and presumptions of the status quo. As with its predecessors, Zibaldone III draws freely from a wide span of performance and production techniques––tapping, for what it’s worth, creative roots before they can be grouped together into a stylistic formula.\u003c\/p\u003e\n\n\u003cp\u003eExplosive percussions pay homage to the anarchists of Argentina; Malcolm Muggeridge syllogises the grim logic of government, power and tyranny into a mantra of dissent, driving a stream of electro-jazz drums and synths to its rapturous disintegration; a saturnine piano improvisation leads the way to clattering protest drums as David Graeber shrewdly inveighs against the absurd but sadly pervasive neoliberal illusion that creativity and ingenuity are dependent on economic incentives; then, as a dancefloor footnote, a withering Gore Vidal wryly warns against the strict conflation of artistic methods with political theories in a smartphone-produced rafter-shaker that echoes Joey Beltram’s Orbital-sampling classic…\u003c\/p\u003e\n\n\u003cp\u003eUltimately though, this record is a dedication to the work of one person, a musical wreath to be laid at the grave of the great thinker (and doer), Simone Weil––tragically so young in death, but thankfully so active in the brevity of her life. Here, as a looped fragment of another late-great ‘Simone’ reminds us that change is inevitable, unfolding piano and double-bass elaborations set the stage for Coline Cornélis to recite two key excerpts from Weil’s scathing and brilliant valedictory essay, ‘On the Abolition of All Political Parties’ (1943). Seventy five years later, the farcical horror of egregious corruption, misguided referenda and prevailing post-truths surely serves to strengthen the thrust of her prognosis and prescription––both of which are as sensible as they are radical.\"\u003c\/p\u003e\n\n\u003cp\u003eMusic by Rupert Clervaux\n\u003cbr\u003eArtwork by Coline Cornélis\u003c\/p\u003e\n\n\u003cp\u003eWith thanks to James Marrs, John Coxon, Dan ‘EZ’ Lea and Max Henderson.\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/548126622\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003c\/div\u003e\n\u003cbr\u003e ","brand":"CVX","offers":[{"title":"Default Title","offer_id":42244292280544,"sku":"BH047","price":12.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Zibaldone-III-Of-Cvx.jpg?v=1640603199"},{"product_id":"dont-dj-gammellan","title":"Gammellan (12\")","description":"\u003cp\u003e\u003cstrong\u003eDon't DJ – Gammellan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Florian Meyer back on BH, with ten minutes of gamelan psychedelia - as subtly and tensely minimalist as \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/terrence-dixon\" target=\"_blank\"\u003eTerrence Dixon\u003c\/a\u003e at his best. On the flip, \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/dresvn\" target=\"_blank\"\u003eDresvn\u003c\/a\u003e makes more of a beeline to Detroit, perhaps fueled by Submerge classics like UR’s Windchime — cosmic, but deadly and unsettling.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(‘Gammel’ means ‘junk’, in German. Maybe Magellan the explorer permeates that title, too, going round in circles in the East Indies, giddy and gammy below decks, amidst his trophy exotica.)\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Gammellan 9:30\u003cbr\u003eB1. Gammellan (Dresvn Remix) 6:45 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PQy2RCIzO6k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Gp0O5PAhXJY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Don't DJ","offers":[{"title":"Default Title","offer_id":43813057364192,"sku":"BH 029","price":12.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Don_tDJ_Gammellan.jpg?v=1674416249"},{"product_id":"pavel-milyakov-la-maison-de-la-mort-2lp","title":"Pavel Milyakov – La Maison De La Mort (2LP)","description":"\u003cstyle\u003e\n  .tracklist {\n    list-style: none;\n    padding: 0;\n    margin: 1em 0;\n  }\n  .track {\n    margin-bottom: 1.5em;\n  }\n  .track p {\n    margin: 0 0 0.3em 0;\n    font-weight: 500;\n  }\n  .track audio {\n    width: 100%;\n    max-width: 400px;\n    outline: none;\n  }\n  .meta, .riyl {\n    font-size: 0.95em;\n    margin-top: 1.5em;\n  }\n  .meta strong, .riyl strong {\n    display: inline-block;\n    width: 100px;\n    vertical-align: top;\n  }\n  .riyl span {\n    display: inline-block;\n    max-width: calc(100% - 100px);\n  }\n\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003ePavel Milyakov - La Maison De La Mort\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/techno-house-electro-buttechno\"\u003ePavel Milyakov, aka Buttechno\u003c\/a\u003e, follows his avant-garde instincts on \u003cstrong\u003eLa Maison De La Mort\u003c\/strong\u003e, a haunted, wide-screen electronic album for Berceuse Heroique. Known for pushing mutant dance music into stranger shapes, Milyakov uses this set to explore cold modular synthesis, post-industrial texture and spectral ambience with a unusually strong sense of atmosphere.\u003c\/p\u003e\n\u003cp\u003eSpread across two records, the album moves from fractured rhythms and metallic synth pressure into a more spacious, late-night sci-fi mood. Tracks like “FFF”, “G-F1” and “Synthetics” sketch out tense machine music and frazzled electro impulses, while “Moscow Ambience”, “Moon Pad” and “Flights” open into noir-lit pads and uneasy cinematic beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"tracklist\"\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e1. Intro\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_Intro.mp3?v=1780748285\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e2. Breaked Scores\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_Breaked_Scores.mp3?v=1780748285\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e3. Bolotniy\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_Bolotniy.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e4. FFF\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/04_Fff.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e5. May Guitar\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_May_Guitar.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e6. Patt 2\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_Patt_2.mp3?v=1780748285\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e7. Virus Saw\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/07_Virus_Saw.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e8. G-F1\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/08_G-F1.mp3?v=1780748286\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e9. Synthetics\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/09_Synthetics.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e10. Moscow Ambience\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/10_Moscow_Ambience.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e11. Octa Amb Plucks\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/11_Octa_Amb_Plucks.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e12. Moon Pad\u003c\/p\u003e\n\u003caudio controls=\"controls\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/12_Moon_Pad.mp3?v=1780748287\"\u003e\u003c\/audio\u003e\n\u003c\/li\u003e\n\u003cli class=\"track\"\u003e\n\u003cp\u003e13. 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