{"title":"Experimental, Classical, Noise\/Improv","description":null,"products":[{"product_id":"big-science","title":"Big Science (LP)","description":"\u003cp\u003eA1. From the Air    4:29\n\u003cbr\u003eA2. Big Science    6:25\n\u003cbr\u003eA3. Sweaters    2:18\n\u003cbr\u003eA4. Walking \u0026amp; Falling    2:10\n\u003cbr\u003eA5. Born, Never Asked    4:56\u003c\/p\u003e\n\n\u003cp\u003eB1. O Superman (for Massenet)    8:21\n\u003cbr\u003eB2. Example #22    2:59\n\u003cbr\u003eB3. 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Die Tiefe Scheu \u003cbr\u003eA2. Die Brut \u003cbr\u003eA3. Liebstöckel \u003cbr\u003eA4. Nass \u003cbr\u003eA5. Die Welt In Tortenguss \u003cbr\u003eA6. Wiegenlied Am Totenbettchen \u003c\/p\u003e\u003cp\u003eB1. Müde \u003cbr\u003eB2. Schlafmohn \u003cbr\u003eB3. Scheide \u003cbr\u003eB4. 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Pulse\n\u003cbr\u003eB1. High\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eKassem Mosse and Beatrice Dillon join forces for The Trilogy Tapes\u003c\/p\u003e","brand":"Dillon Wendel","offers":[{"title":"Default Title","offer_id":42244278419680,"sku":"TTT057","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Pulse_High-1.jpg?v=1640602977"},{"product_id":"crippled-symmetry-at-june-in-buffalo","title":"Crippled Symmetry: At June In Buffalo (CD)","description":"\u003cp\u003e1-1\tCrippled Symmetry I\t44:08\n\u003cbr\u003e2-1\tCrippled Symmetry II\t44:46\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\"In 2000, Eberhard Blum (flute, alto flute, bass flute), Nils Vigeland (glockenspiel, vibraphone) and Jan Williams (piano, celesta), Morton Feldman’s close friends and collaborators, came together once more as “The Feldman Soloists” to perform Crippled Symmetry, the trio Feldman composed for them, on the 25th anniversary celebration of June in Buffalo, the festival he founded.\u003c\/p\u003e\n\n\u003cp\u003eThe recording of this concert is now finally available on CD, and is destined to become the reference recording of this work. It is required listening for all fans of Feldman's rich, hypnotic world of enigmatic harmony and mnemonic echo. Mastered by Denis Blackham, and presented in a card package which unfolds to reveal the musicians' \"butterfly-like\" arrangement on stage.\"\u003c\/p\u003e","brand":"Morton Feldman","offers":[{"title":"Default Title","offer_id":42244278550752,"sku":"fr1\/2","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Crippled-Symmetry.jpg?v=1640602979"},{"product_id":"koyaanisqatsi-lp","title":"Koyaanisqatsi (LP)","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePhilip Glass ‎– Koyaanisqatsi\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1. Koyaanisqatsi     3:30\u003cbr\u003eA2. Vessels     8:03\u003cbr\u003eA3. Cloudscape     4:41\u003cbr\u003eA4. Pruit Igoe     7:02\u003cbr\u003e\u003cbr\u003eB1. The Grid     14:50\u003cbr\u003eB2. Prophecies     8:10\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003eSlight crease in top left of sleeve\u003c\/p\u003e","brand":"Philip Glass","offers":[{"title":"Default Title","offer_id":42244280189152,"sku":"205 626","price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Koyaanisqatsi.jpg?v=1640603011"},{"product_id":"little-electronic-milky-way-sound","title":"A Little Electronic Milky Way of Sound (16xCD Box)","description":"\u003cp\u003e\u003cstrong\u003eRoland Kayn - A Little Electronic Milky Way of Sound\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSixteen-CD boxed set. Limited edition of 750.\n\u003cbr\u003eAudio restoration by Jim O’Rourke.\n\u003cbr\u003eArtwork by Robert Beatty.\u003c\/p\u003e\n\n\u003cp\u003e1-1. Czerial\t50:47\n\u003cbr\u003e2-1. Xattax\t44:15\n\u003cbr\u003e3-1. Somitoh\t53:25\n\u003cbr\u003e4-1. Ykties\t27:12\n\u003cbr\u003e4-2. Naaps\t30:53\n\u003cbr\u003e5-1. Rosonic\t30:21\n\u003cbr\u003e5-2. Ilay\t33:31\n\u003cbr\u003e6-1. Aseral\t50:26\n\u003cbr\u003e7-1. Ractil\t18:50\n\u003cbr\u003e7-2. Zearid\t34:39\n\u003cbr\u003e8-1. Radox\t42:00\n\u003cbr\u003e9-1. Qyrials I\t31:30\n\u003cbr\u003e9-2. Qyrials II\t45:46\n\u003cbr\u003e10-1. Tachys\t56:44\n\u003cbr\u003e11-1. Prahoxx\t41:35\n\u003cbr\u003e12-1. Hatho\t36:23\n\u003cbr\u003e13-1. Ecerit I\t18:29\n\u003cbr\u003e13-2. Ecerit II\t22:04\n\u003cbr\u003e13-3. Ecerit III 18:58\n\u003cbr\u003e14-1. Ritaces\t40:57\n\u003cbr\u003e15-1. Icursim\t42:01\n\u003cbr\u003e16-1. Arasa\t52:28\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\"Roland Kayn’s truly epic ‘A Little Electronic Milky Way of Sound’ is both a major late opus and a summation of his vast contribution to the fields of electronic music and composition. Hearing the briefest passage of this piece, assembled in 2009 and totalling almost fourteen hours in length, is enough to date the material it is comprised of back to the era of his noteworthy LP boxed sets, released on the Colosseum label in the late 70s and early 80s.\u003c\/p\u003e\n\n\u003cp\u003eKayn’s so-called “cybernetic music”, to use the term he preferred, resolutely refuses to showcase the methods employed in its creation. The mass of logical interactions and correspondences underpinning the sounds we hear are submerged so deeply below the surface as to defy analysis. We are left only with the results, which grant the listener a profound and unique experience.\u003c\/p\u003e\n\n\u003cp\u003eWith ‘A Little Electronic Milky Way of Sound’, Kayn provides both a vast sonic territory and the invitation to explore it. From glacial, drone-like vistas to violent staccato sequences, the piece’s twenty-two movements chart the length and breadth of electronic music in as comprehensive a manner as has ever been attempted.\u003c\/p\u003e\n\n\u003cp\u003eThe resurgence of the modular synthesizer as a popular musical tool in recent years belies the possibility that its boldest virtuosi may already lie in the instrument’s past. In his work in Europe’s electronic music studios alongside colleagues such as Leo Küpper and Jaap Vink, Kayn created sonic textures in such abundant variety as to make genre categorisation redundant. Photographs of the one-off, hand-built systems upon which they were realised have inspired the awe of electronic-music connoisseurs for years, but their output has been all too little heard and appreciated.\u003c\/p\u003e\n\n\u003cp\u003eIn 2017, Roland Kayn represents perhaps one of the last titanic figures of 20th-century music to receive their due recognition, and to have their vital music restored to availability. Fresh from its release of Julius Eastman’s ‘Femenine’, which spurred on its composer’s wider rediscovery and gave rise to performances, broadcasts and festivals devoted to his work around the world, frozen reeds is proud to initiate the first stage of a similar process for Roland Kayn, which his incredible music so richly deserves.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/341470740\u0026amp;color=ff5500\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Roland Kayn","offers":[{"title":"Default Title","offer_id":42244282581216,"sku":"fr7\/22","price":110.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/A-Little-Electronic-Milky-Way-of-Sound.jpg?v=1640603033"},{"product_id":"moira-ltd-mini-lp","title":"Moira (Ltd, Mini LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeurobit – Moira\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Within Clear Sight \u003cbr\u003eA2. A Humble Farewell\u003c\/p\u003e\n\u003cp\u003eB1. Phantom Hourglass \u003cbr\u003eB2. A Spin On Destiny\u003c\/p\u003e\n\u003cbr\u003e--\u003cbr\u003e\n\u003cp\u003eWords from the label...\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Some years ago Neurobit released a 7” on Enfant Terrible with minimal music very much in the style of Terry Riley. Now Neurobit return with a very different sound… much less electronic in orientation. This mini LP “Moira” sounds like some obscure Asian ensemble playing contemporary ambient and drone music… music also somewhat reminiscent of some of the stuff Philip Glass did and in the distant you hear sounds and moods related to the music of Sarah Davachi and Antii Tolvi… but in the end it is just the perfect music to have a mellow and relaxed trip on…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLimited to 150 copies! \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/245105724\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"EnfantTerribleNL\" href=\"https:\/\/soundcloud.com\/enfantterriblenl\" target=\"_blank\"\u003eEnfantTerribleNL\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Neurobit - A Spin On Destiny\" href=\"https:\/\/soundcloud.com\/enfantterriblenl\/neurobit-a-spin-on-destiny\" target=\"_blank\"\u003eNeurobit - A Spin On Destiny\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Neurobit","offers":[{"title":"Default Title","offer_id":42244283728096,"sku":"Vrystaete05","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Moira.jpg?v=1640603057"},{"product_id":"respondent-ltd-coloured-12","title":"Respondent (Ltd, coloured, 12\")","description":"\u003cp\u003e\u003cstrong\u003eRussell Haswell ‎– Respondent\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. The Surface Is Unrevealing 2:52\n\u003cbr\u003eA2. First In Man (Williams Mix) 5:16\n\u003cbr\u003eA3. Worsening Daily 4:03\u003c\/p\u003e\n\n\u003cp\u003eB1. Special Long Version (Demo) feat. Sue Tompkins 9:59\n\u003cbr\u003eB2. Let Suffering Become You 2:44\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRussell Haswell ‎– Respondent\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRussell Haswell runs amok for Diagonal on a zinging 5-track “mini-LP” featuring, for the first time on a Haswell record, vocals; by performance artist Sue Tompkins ov Glasgow’s Life Without Buildings.\u003c\/p\u003e\n\n\u003cp\u003eTaking cues from his formative teenage years listening to John Peel and discovering Factory, Mute and 4AD and Chicago house - prior to stints as a Christian missionary and chimney sweep at Sellafield - Haswell mangles those reverential memories as only he can in Respondent, resulting a blatz of blitzed bangers and curious aural probes making a significant new dimensions to his sound.\u003c\/p\u003e\n\n\u003cp\u003eThe highlight is undoubtedly his hook-up with Sue Tompkins, whose assertions that “records are round” nestle among more enigmatic confessions on the creased Chicago house-meets-freestyle abstraction, Special Long Version (Demo), while the runner-up prize goes to the EP’s final cut, Let Suffering Become You, which cannily opens with a sample of Jonathan Guiness being snooty about punks, then calves into the sickest acid techno bosch.\u003c\/p\u003e\n\n\u003cp\u003eHis other cuts are cool too, revealing a lesser-heard and relatively “clean” tonal aspect in the warped synthline of The Surface Is Unrevealing, and some proper DJ tackle in his lazed-misguided missile First In Man (Williams Mix).\u003c\/p\u003e\n\n\u003cp\u003eWe reckon you’ll all be coming back to that cracker with Sue Tompkins.\u003c\/p\u003e","brand":"Russell Haswell","offers":[{"title":"Default Title","offer_id":42244286021856,"sku":"DIAG043","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Russell-Haswell-Respondent.jpg?v=1640603093"},{"product_id":"as-sure-as-night-follows-day","title":"As Sure As Night Follows Day (2LP)","description":"\u003cp\u003e\u003cstrong\u003eRussell Haswell ‎– As Sure As Night Follows Day\n\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Oblique Axis 0:57\n\u003cbr\u003eA2. Let's Go 1:16\n\u003cbr\u003eA3. Wholly Unaware 3:31\n\u003cbr\u003eA4. Champagne Walk 2:22\n\u003cbr\u003eA5. Rave Splurge nO!se FM 1:10\n\u003cbr\u003eA6. Improvisation #1 3:08\u003c\/p\u003e\n\n\u003cp\u003eB1. In The Air Today 3:05\n\u003cbr\u003eB2. Gas Attack 3:43\n\u003cbr\u003eB3. Interlude 3:06\n\u003cbr\u003eB4. Drive (Minimal) 2:14\u003c\/p\u003e\n\n\u003cp\u003eC1. Heavy Handed Sunset 2:48\n\u003cbr\u003eC2. Underwater Electronic Struggle 3:18\n\u003cbr\u003eC3. Confirmation Of Our Worst Fears 2:39\n\u003cbr\u003eC4. Hardwax Flashback 3:24\u003c\/p\u003e\n\n\u003cp\u003eD1. Broken Mantra 2:54\n\u003cbr\u003eD2. Extended Industry Knowledge (For Oscar) 4:32\n\u003cbr\u003eD3. nO!se Rave 4:01\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRussell Haswell ‎– As Sure As Night Follows Day\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRussell reigns in the mayhem for 'As Sure As Night Follows Day' - his landmark second album for London's Diagonal Records.\u003c\/p\u003e\n\n\u003cp\u003e\"Consolidating a quarter-century at the coal face of extreme computer music, techno and death metal in 19 tracks and 49 minutes, it's Haswell's most coherent yet varied burst of activity to date - zigzagging from improvised n0!se outbursts and as- phyxiated R\u0026amp;B to a brace of thundering acid bullets that positively froth for the 'floor. The album was extracted over a fast-working period in late 2014, and is best perceived as a sort of fractured regression to his formative influences: you can hear the picnoleptic recollections of grindcore shows in the Black Country; the refracted shades of mega-raves at Coventry's Eclipse; the conflating toxic texture-memories of early Japanese noise; and the incandescent stomp of Mills and Hood in that early 90s phase. Fortunately for the ravers, this album includes some of Haswell's most direct dance floor attacks to date. 'Hardwax Flashback', for instance, finds him in pure tekno panik mode - a four-to-the-floor wrecking ball groove that someone, somewhere, may even be able to mix. 'Gas Attack' distils his penchant for all things Belgium into a vicious strain of New Beat lactic acid. Haswell then doffs his cap to Detroit electro legends Drecxiya on 'Underwater Electronic Struggle' - a story goes that he once thrashed a jet-ski all over the Mediterranean while listening to 'Wave Jumper' in his 'phones - before he does the salty freestyle electro flex 'ting on 'Industry Knowledge (For Oscar)' while reminding his trusty apprentice, Powell, that he still has a lot to learn. In between these 'floor-flexers, we find more freakish disturbances and intrusive drum-box improvisations: the modular mind-floss of 'Rave Splurge Noise' or 'Noise Rave', for in- stance, or the self-explanatory 'Improvisation #1'. 'In The Air Today' investigates warehouse-ready electro-acoustic percussion, while the chaotic clusters of 'Interlude' swarm and invade your senses with psychoacoustic incision. 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Riding Through Drinking Harpo Dine\n\u003cbr\u003eB2. Slow Dark Green Murky Waterfall\n\u003cbr\u003eB3. Smoke Goes Up\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eEliza McCarthy \u0026amp; Mica Levi - Slow Dark Green Murky Waterfall\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e\"Eliza McCarthy plays 6 piano pieces by Mica Levi on 'Slow Dark Green Murky Waterfall'. \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe pair’s collaboration has patiently cemented in the past three years, with McCarthy (winner of the 2013 British Contemporary Piano Competition) featuring on Levi’s Oscar-nominated score for Pablo Larrain's 'Jackie'. Eliza has performed Mica's work at the Barbican, St John’s Smith Square, and on a 7” both shared with cellist Oliver Coates on Foom in 2017. 'Remain Calm', Levi's 2016 collaboration with Coates, is the composer's previous outing on Slip. \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe EP is bound by a sense of unreal poise: the elegant, blunt, low-lit, and gloopy seep into one another. The titles describe what the music is trying to emulate. Levi's idiosyncratic mix, and the care in McCarthy's playing, give 'Slow Dark Green Murky Waterfall' a sense of lived-in warmth. \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e'Slow Dark Green Murky Waterfall' [SLP036] is available on 12” vinyl plus download (only with vinyl), from October 2018. Music by Mica Levi \/ Performed by Eliza McCarthy. Additional Mixing by Sam Slater. Mastered by Giuseppe Ielasi. Artwork by Mica Levi and Eliza McCarthy.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Eliza McCarthy \u0026 Mica Levi","offers":[{"title":"Default Title","offer_id":42244286284000,"sku":"SLP036","price":16.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Eliza-Mica-Slow-Dark-Green-Murky-Waterfall.jpg?v=1640603098"},{"product_id":"ample-profanity","title":"Ample Profanity (LP)","description":"\u003cp\u003e\u003cstrong\u003eLaurie \u0026amp; Olly - Ample Profanity\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Sniffin' Samgh\n\u003cbr\u003eA2. Peejayargh\n\u003cbr\u003eA3. RP Beal\u003c\/p\u003e\n\n\u003cp\u003eB1. Lime Rugis\n\u003cbr\u003eB2. Charterhouse, Vinci\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eLaurie \u0026amp; Olly - Ample Profanity\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBrilliant, mad intersection of No wave primitivism, cello sensitivities and possessed vox, the first proper collab between important lynchpins of the UK avant-classical nexus; \u003cstrong\u003eOliver Coates\u003c\/strong\u003e and \u003cstrong\u003eLaurie Tompkins\u003c\/strong\u003e. If you're into anything from Mica Levi to Jandek, this ones for you...\u003c\/p\u003e\n\n\u003cp\u003eVery few fucks are given by Coates \u0026amp; Tompkins on Ample Profanity; a let-it-all-out session of deviant, punkish avant-classical composition hallucinated and expectorated by two prodigious talents, released just a few weeks before Oliver Coates excellent 'Shelley’s On Zenn-La' album for RVNG Intl.\u003c\/p\u003e\n\n\u003cp\u003eOliver does his thing on cello and FX, while Laurie supposes and composes on keys, tapes and samples, over which the pair of them sing, if your definition stretches that far. What we can agree on, though, is that Ample Profanity is a steaming pile of madness quite unlike anything else in circulation right now.\u003c\/p\u003e\n\n\u003cp\u003eStill feral from his cultishly acclaimed Heat, War, Sweat, Law album, Laurie is matched by a usually more collected Coates, who seems to revel at the opportunity to freak out properly as an adjunct to his solo work and collabs with Mica Levi.\u003c\/p\u003e\n\n\u003cp\u003eKicking off with Sniffin’ Samgh, a possessed study in primal vocals and lurching, yelpy strings, the session turns variously thru quieter, asymmetric ideas in Peejayargh to cough up its spicy noise guts in RP Beal, before they settle into a call-and-response of quizzical sighs and plucks on Lime Rugis, and set about hacking up a wickedly dissonant tussle between no wave guitars, intercepted phone calls and edge-of-sanity blasts into the void with Charterhouse, Vinci.\u003c\/p\u003e\n\n\u003cp\u003eIt’s maybe not what you might expect from a former winner of the Royal Philharmonic Society’s Young Artist Award 2011, and a graduate of the RNCM, or maybe it is. Either way, Ample Profanity is beautiful and messed up in equally satisfying measures.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLimited to 300 copies, includes a photographic insert featuring one of six stills from the video for 'Sniffin' Samgh'\u003c\/strong\u003e\u003c\/p\u003e","brand":"Laurie \u0026 Olly","offers":[{"title":"Default Title","offer_id":42244287725792,"sku":"SLP038","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Laurie-Olly-Ample-Profanity.jpg?v=1640603111"},{"product_id":"flute-songs","title":"(f)lute songs (LP)","description":"\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Trio For Duo \u003cbr\u003eA2. Dowland's Tears\u003c\/p\u003e\n\u003cp\u003eB1. Semper Dolens \u003cbr\u003eB2. 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Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint and completely blew us away, and '(f)lute songs’ is only her second vinyl release in over five decades, feeding and expanding our obsession with her work.\u003c\/p\u003e\n\u003cp\u003eIn the late 1970’s Mary Jane Leach was triggered by an interview she heard with Steve Reich in which he implored artists to figure out ways of becoming more self sufficient when it came to performance rather than relying on traditional group structures. At the time Leach had already began to experiment with recordings she had made of herself performing long sustained tones made on instruments she could play; mostly voice and bass clarinet, and gradually became fascinated by the sound phenomena resulting from layering tones on her multi-track tape machine. Reich’s thoughts, however, made Leach realise that she didn't have to restrict herself to instruments she could play and, in an indirect way, were the foundation for this album.\u003c\/p\u003e\n\u003cp\u003eTrio for Duo (1985), was Mary Jane's first attempt at creating work for instruments she couldn't play; revolving around alto flute and voice. She explains \"I had noticed that my voice matched the sound of the bottom fifth of the alto flute, and so the voice in this piece is sung to sound as much like an alto flute as possible. There are four parts, but only three play at the same time, one part passing off its last note to the next entering part, weaving a tapestry of matching and contrasting timbres. By using glissandos, more “extra-notated” sounds are created than appear on the page. I originally conceived of it with each part coming from four separate speakers placed in the four corners of a hall, but I realised that it sounds best on tape with a stereo mix.” The result is an incredible, highly engrossing study in phasing, the voice sung to sound as much like an alto flute as possible to the the extent that it becomes almost impossible to discern which parts are which.\u003c\/p\u003e\n\u003cp\u003eBruckstück (1989) was originally written for eight sopranos, but is played on flutes on this recording - using the same pitches, but sounding very different. It was commissioned by the Kulturamt in Köln to coincide with the opening of an exhibition of paintings by Jack Ox that were organised using an analysis of Bruckner’s Eighth Symphony. Mary Jane explains \"The lowest parts (relatively speaking) represent the string section, using the same basic rhythm as Bruckner’s to set up the tonality throughout the piece. The rest of the voices represent the wind instruments. The piece is polyphonic, with a lot of closely resolving intervals - primarily major and minor seconds. Rather than writing linear melodies for one voice, I wrote melodies that are passed from one voice to another.” Dowland’s Tears (2011) was written for for nine flutes, thinking of it as a recording project and not a concert piece (it now has a “solo” tenth part added), while Semper Dolens (2018) is for solo and six taped flutes, with sustained harmony and dissonance in mind.\u003c\/p\u003e\n\u003cp\u003eThese recordings feature noted Roman flutist Manuel Zurria, who has worked with some of the most important composers around the world. In 1990 he founded Alter Ego, a leading group for contemporary music in Italy. 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Delight In Neon\n\u003cbr\u003eA2. Constructivism\n\u003cbr\u003eA3. Hidden Centuries\n\u003cbr\u003eA4. Vapid Luxury\u003c\/p\u003e\n\n\u003cp\u003eB1. All The Talk Of The Market\n\u003cbr\u003eB2. Coastin\n\u003cbr\u003eB3. Shapes\n\u003cbr\u003eB4. Darling\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eMyriam Bleau ‎– Lumens \u0026amp; Profits\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"Myriam Bleau is a composer, digital artist and performer based in Montreal. She creates audiovisual systems that go beyond the screen, such as sound installations and performance-specific musical interfaces. Her hybrid electronic practice explores music performance as a codified cultural manifestation and recontextualizes pop culture elements and music history tropes. For ‘Lumens \u0026amp; Profits’ Myriam has exported this ethos towards pure sound design, deconstructing a palette of familiar musical forms into 8 pieces of wandering, weightless movements; where Vocal samples and percussive rushes launch themselves from empty space, repeatedly shattering any vibe you were about to ease yourself into. Rhythms scatter, violently collapse, and pick themselves up again grinning with hands aloft, sprinting towards the light.\u003c\/p\u003e\n\n\u003cp\u003eThis is the sound of an artist who clearly has a deep interest in modern tropes of UK bass music and contempory electronic composition, but due to Myriam’s historical grounding as a tactile, experimental audio visual artist these genres become uniquely filtered through a performative, Musique Concrete focused lens. 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Gast's Exile in 2013 - a Spectrum City all-time favourite)\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eEdition of 300 in hand-assembled sleeves.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"Taking in droll, digressive threshold-pop, plaintive minimal synth moods and strange rhythm-box geometries, before heading deep into the woods and time-dilating free-folk abstraction.\u003c\/p\u003e\n\n\u003cp\u003eDrawn from the green-grey and eerie heart of the English countryside – specifically the north-eastern edge of the Wyre forest, between Stourbridge and Kidderminster, Old and Red will resonate with anyone attuned to the mysterious – sometimes malign, sometimes mirthful – energies interred in their native landscape.\u003c\/p\u003e\n\n\u003cp\u003eOpener ‘Down Street’, skirting the brim of Robert Wyatt's Old Rottenhat, sounds like King Penda pouring his heart out down the Coach \u0026amp; Horses after pissing away his pension at Coral. ‘Champg’ - part Lifetones, part Rizan Said – is a fizzing action-painting of hi-life guitar, staccato string-stabs +sputtering computerized riddim. ‘Flood’ comes over like the bastard child of Eyeless In Gaza’s ‘Veil Like Calm’ and Scott’s Climate of Hunter, and while the salty old geezer recounting a tale of fishing-rod-related misadventure in 'Presence: Martin' is compelling enough on his own, his words takes on a sadder, more surreal air thanks to whining unheimlich electronics +strung-out, quasi-medieval guitar drones that seem to plumb for the most justified-n-ancient wellsprings of Acid Albion.\u003c\/p\u003e\n\n\u003cp\u003eEpic murder ballad 'Ripe' - with Karin Bähler Lavér's otherworldly vocals suspended in thick cobwebs of reverb\/delay – is like A Dream of Wessex scored by Thuja or F ingers, while 'Requiem For Forest Glades'’s brittle pastoral techno summons Call Back The Giants, or Another Green Eno with one hand tied behind his back.\u003c\/p\u003e\n\n\u003cp\u003eFor all its heavy psychogeography, what makes Old and Red special is its wit, its playfulness, its lightness of touch. It sees England for what it is: an inexhaustible site of hauntings and myth and metaphysical potential, yes, but also one of endless boredom\/bathos\/banality, endless ENDLESSNESS, where ecstatic pagan ritual realistically = queuing up for a cheese\u0026amp;onion bake from Greggs. Yeah...some people just get it.\" - LOW COMPANY DISTRIBUTION\u003c\/p\u003e","brand":"Thomas Bush","offers":[{"title":"Default Title","offer_id":42244290085088,"sku":"SCREFYS005","price":20.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Thomas-Bush-Old-and-Red.jpg?v=1640603155"},{"product_id":"rose-des-vents-2lp","title":"Rose Des Vents (2LP)","description":"\u003cp\u003e\u003cstrong\u003ePierre Mariétan ‎– Rose Des Vents\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Rose Des Vents – IA 25:06\u003c\/p\u003e\n\n\u003cp\u003eB1. Rose Des Vents – IB 23:55\u003c\/p\u003e\n\n\u003cp\u003eC1. Rose Des Vents – IIA 25:23\u003c\/p\u003e\n\n\u003cp\u003eD1. Rose Des Vents – IIB 27:25\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003ePierre Mariétan ‎– Rose Des Vents\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e2xLP in an Edition of 500.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eVinyl mastered and cut at D\u0026amp;M.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eIncludes 16-page A5 risograph insert, with introduction and photography by Andrea Zarza, and a commissioned text in French and English by Pierre Mariétan. Insert designed by Matthew Kent and Gustavo Eandi.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThis re-edition of Rose des Vents. Action Musicale. includes a track-listing — found in the inlay of the gatefold sleeve — based on sequenced announcements throughout the recording.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMana is also pleased to publish Rose des Vents. Action Musicale as a single long-running recording digitally, providing the composition with the continuity and flow originally intended.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"Rose Des Vents. Action Musicale unfolds as a continuous musical composition across two LPs. Blending influences and his background in serialism, radio-art and field recording, Swiss composer Pierre Mariétan crafted this work from materials gathered over six years, in villages and towns scattered across France. Released privately in 1987, in an edition of 300, the LP is intrinsically a musical piece rather than mere documentation of Mariétan’s investigations into the sound of urban space. The recording, as re-iterated by the composer in a recent interview \"… allows the possibility to ignore the sources to only listen to what the sound, in itself, is able to say, what is characteristic to its rapport with music.\"\u003c\/p\u003e\n\n\u003cp\u003eCommissioned by the French Government in 1981, Rose Des Vents. Action Musicale was conceptualised by Mariétan as a seven-day long exploration of the sonic heritage embedded in urban space. Described as a socio-musical action, its score comprised field recording, surveys, interviews and instrumental interventions; all to reveal, study, and musicalise the sonic existence of urban space. Mariétan along with a team of sound engineers, acousticians and musicians—all members of the Groupe d'Étude et Réalisation Musicale (GERM) he had founded in 1966—carried out the first of these actions in the Parisian suburb of Bezons in 1982; with successive actions taking place in Herblay, Albi, Montmagny and l’Isle Adam in 1983.\" - MANA\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e","brand":"Pierre Mariétan","offers":[{"title":"Default Title","offer_id":42244291330272,"sku":"MANA 1","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Pierre-Mari_C3_A9tan-_E2_80_8E_E2_80_93-Rose-Des-Vents.jpg?v=1640603185"},{"product_id":"lescalier-des-aveugles","title":"L'Escalier Des Aveugles (LP)","description":"\u003cp\u003e\u003cstrong\u003eLuc Ferrari ‎– L'Escalier Des Aveugles\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. L'Escalier Des Aveugles\n\u003cbr\u003eA2. Intermède\n\u003cbr\u003eA3. Suzanne Et Le Clochard\n\u003cbr\u003eA4. Interlude\n\u003cbr\u003eA5. El Cuerpo Inglés\n\u003cbr\u003eA6. Intérieur\n\u003cbr\u003eA7. Hommage À Lorca\u003c\/p\u003e\n\n\u003cp\u003eB1. Izaskun Et la Pomme\n\u003cbr\u003eB2. Interférence\n\u003cbr\u003eB3. Sans Savoir Pourquoi\n\u003cbr\u003eB4. Nada\n\u003cbr\u003eB5. Madrid, Kilomètre Zéro\n\u003cbr\u003eB6. La Nouvelle dDDe L'escalier\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eLuc Ferrari ‎– L'Escalier Des Aveugles\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\"'Escalier des Aveugles, or The Stairway of the Blind, was commissioned in November 1990 by Spanish National Radio (Radio Nacional de España). Asked for a piece to premiere as part of the European Day of Music, Luc Ferrari returned with a radiophonic concept that organised his anecdotal music into montage form, sequencing short, elusive narratives in a successive way.\u003c\/p\u003e\n\n\u003cp\u003eThe completed composition is formed of thirteen chapters containing a mixture of environmental and synthesised sound, commentary, chatter, and encounters with people and places. Each focuses on a small event within this playbook, and Ferrari notes that each “in addition to being a realistic photograph, will be the subject of a ‘setting to music’: fragments of voice and atmosphere will be sampled and will produce musical matter or a ‘song’.”\u003c\/p\u003e\n\n\u003cp\u003eThe sonic language of Madrid forms the setting to which Ferrari lays out the persistent theme of the piece, that of the composer being guided throughout the city by a young woman. Using a game-like structure (liners for this edition include Ferrari’s “Regles de Jeu”, or “Rules of the Game” which act as a script or score to the piece) the motivation is posed: imagine that one day you are told “I know a place in Madrid that sounds amazing (or bizarre)”, to which you reply “Let’s go to it together.” The recordings toy with the relationships between guide and tourist, translator, director and actress, and masculine and feminine that emerge as Ferrari and the actresses follow this action, documenting the shared experience and connections they make as they visit these places.\u003c\/p\u003e\n\n\u003cp\u003eSix actresses guide Ferrari (and the listener) through locations simultaneously ordinary and sonically rich: the metro; the El Corte Inglés department store where we hear the gossip from changing rooms set against music emanating from the PA; vagabonds declaiming their political stance in the Conde de Barajas plaza; interactions buying apples in a market; the reverberant and spacious halls of the Prado Museum where one actress gives a moving description of her favourite painting - Goya’s The 3rd of May 1808.\u003c\/p\u003e\n\n\u003cp\u003eFerrari replies in French to their comments in Spanish, and there are several self-referential plots, devices, and word games that flirt with the poetics and rhythm of language and sound. A recital of Lorca’s poem \"La Casada Infiel\" in “Hommage À Lorca” in amongst the location recordings feels striking, and the call and response of “La Nouvelle de L’Escalier”, where one of the actresses descends the staircase of the blind - a long stone stairway in Madrid proposed to Ferrari as an interesting location to visit during the trip by producer José Iges. She replies to Ferrari’s vocal enunciation of the place (and title) in French - L’Escalier des Aveugles - with the place-name in Spanish: La Escalera de los Ciegos.\u003c\/p\u003e\n\n\u003cp\u003eUsing this repeated title and image of the staircase of the blind as a symbolic place, a line is drawn to a situational landscape experienced and diffused through snapshots and allusion rather than holistically overviewed, sound conjuring pictures within the imagination. In the sensorial qualities of Ferrari’s treatment of emotion and language—fortified with electro-acoustic motifs and musical properties—the piece accelerates towards a render that is truthful, beautiful, yet also surreal; somewhere between theatre and reality, a gonzo cinema of the ear.\" - MANA\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/528627174\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Luc Ferrari","offers":[{"title":"Default Title","offer_id":42244291854560,"sku":"MANA6","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Luc-Ferrari-_E2_80_93-LEscalier-Des-Aveugles.jpg?v=1640603195"},{"product_id":"vertical-jamming","title":"Vertical Jamming (Cassette - Ltd to 200)","description":"\u003cp\u003e\u003cstrong\u003ePhew - Vertical Jamming\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Cheers 29:08\n\u003cbr\u003eB1. Encore 26:50\u003c\/p\u003e\n\n\u003cp\u003eA downloadable, 11 minute bonus track 'Drone' is also available following purchase.\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003ePhew - Vertical Jamming (Ltd. to 200 copies)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA scene-setter for a forthcoming LP of unheard material, Vertigo KO, coming soon on Disciples. Vertical Jamming rescues two expansive longform pieces from a tour only CD released in 2016, and adds a previously unreleased track, “Drone”.\u003c\/p\u003e\n\n\u003cp\u003eThe hypnotic sprawl of the music bridges the dystopian sci-fi soundscapes of Edward Artemiv’s Stalker soundtrack and the untethered generative labyrinth of contemporary Autechre productions, whilst still retaining smudges of human warmth that anchor the listening experience: a primitive Suicide-eque drum machine that drives the hums and bleeps of the synth forward, or a drone collapsing into squawks and trills akin to a flock of birds.\u003c\/p\u003e\n\n\u003cp\u003ePhew is a legendary figure in Japanese underground music. Starting out in 1978 fronting one of Osaka's earliest punk groups, Aunt Sally, and going on to collaborate with a whole host of notable names as a solo artist in the 80s, including Ryuichi Sakamoto, Conny Plank, Holger Czukay and Jaki Liebezeit of Can, Alex Hacke of Einstürzende Neubauten, and Chrislo Haas of DAF. In recent years she's made music on record or live with Ana Da Silva of The Raincoats, Jim O'Rourke, Oren Ambarchi, Ikue Mori, and Yoshimi of OOIOO \/ Boredoms \/ Saicobab. For Disciples however, the most interesting aspect of Phew's work is the fact she has made her strongest musical work in the last few years, working entirely on her own. There's a lot of interest from crate-digger type labels in her early 80s new wave oriented work, and the names she's worked with are impressive, but there's no doubt in our minds that her two most recent records, Light Sleep and Voice Hardcore, are modern classics. It’s this period of her work that we were keen to explore with these releases, a contemporary archive of incredible and unique music.\u003c\/p\u003e","brand":"Phew","offers":[{"title":"Default Title","offer_id":42244292477152,"sku":"DISC7.5","price":10.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/DISC7.5-inlay-tests.jpg?v=1640603199"},{"product_id":"erg-herbe","title":"Erg Herbe (LP + download code)","description":"\u003cp\u003e\u003cstrong\u003eJAB ‎– Erg Herbe\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Planner's Beauty 3:15\n\u003cbr\u003eA2. A Little Breeze 6:17\n\u003cbr\u003eA3. Jacob's House 4:31\n\u003cbr\u003eA4. Menu Music For Video Game 6:45\u003c\/p\u003e\n\n\u003cp\u003eB1. Distant Patterns 11:56\n\u003cbr\u003eB2. Chanterai Por Mon Coraige 6:40\n\u003cbr\u003eB3. Erg Herbe 3:38\u003c\/p\u003e\u003cbr\u003e--\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eJAB ‎– Erg Herbe\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e2019's Erg Herbe marked John Also Bennet's  first full-length solo release. JAB says the record was gestated for nearly a decade while he worked out how to fully express his own sound and ideas. He notes that \"My personality is all over this music\", elaborating that \"the goal is to create nice, strange, and thoughtful music that reflects a genuine inner vision of self. I’ve been recording solo music for a long time without releasing any of it because I’m not able to let anything out that doesn’t satisfy this criteria.\" Finally, Erg Herbe began to emerge during 2017 and 2018, recorded alone during spare moments between collaborative projects. JAB uses a mixture of synthetic and organic instruments throughout the album, including modified Aphex Twin DX7 presets played using a just intonation tuning system, eurorack oscillators \"tuned according to intuitive structures using intervals of 30 hz,\" and a number of flutes including a Chinese \"dizi\" flute borrowed from his father, noted avant-garde poet and mail-artist John M. Bennett (a contemporary of New York underground poets Richard Kostelanetz and Steve Dalachinsky). Through this unique mixture JAB creates a record which moves outside the conventional. Part New York minimalism, part ambient, part classic electronic yet uniquely JAB.\u003c\/p\u003e\n\n\u003cp\u003e“Erg Herbe” in an invented turn of phrase - erg being the term for a sea of desert sand dunes, and herbe being French for grass - summoning the dreamlike image of a green, rolling dunescape. A fitting title for an album that combines worlds: minimal and lush, serious and playful, real and imagined. “Distant Patterns” - the longest track on the album at over twelve minutes - juxtaposes dry, pulsating oscillators with pillowy, occasionally dissonant pads, while a raga-like alto flute melody glides and dances over top, like a bird soaring across a landscape. Dreaming of distant places while absorbing what’s around him, and traveling the world while keeping one foot in New York, JAB has finally conjured up the unique, surreal sound world he has been looking for.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003ePressed on 140gm vinyl with printed inners and outer reverse-board jacket. Mastered by Rashad Becker at D+M. Artwork by Zin Taylor, design by Bartolomé Sanson. Includes download code\u003c\/em\u003e\u003c\/p\u003e","brand":"JAB","offers":[{"title":"Default Title","offer_id":42244292870368,"sku":"SP 105","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/Erg-Herbe.jpg?v=1640603206"},{"product_id":"cut-hands-festival-of-the-dead","title":"Festival Of The Dead (2LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eCut Hands - Festival Of The Dead\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP - comes with download code\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. Now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. We here present Cut Hands and Festival Of The Dead. The double vinyl LP comes in gatefold sleeve and includes MP3\/FLAC download code.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is Cut Hands’ third album to date: the acclaimed Afro Noise I introduced the project in 2011, and 2012′s Black Mamba expanded its feverish vision, preceded by a single of the same name on Blackest Ever Black. 2013 saw the release of the similarly fiery ‘Madwoman’ and ‘Damballah 58′ 12″s (on Downwards and BEB respectively).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFestival Of The Dead is without doubt the most potent distillation yet of Cut Hands’ malign percussive energy, with pieces like ‘The Claw’ and ‘Vaudou Take Me High’ leading the irresistible polyrhythmic assault, in pursuit of one thing: a final rapturous celebration of oblivion.\" - BLACKEST EVER BLACK\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. The Claw 6:28\u003cbr\u003eA2. I Know What I Must Do 0:50\u003cbr\u003eA3. Damballah 58 6:40\u003cbr\u003e\u003cbr\u003eB1. Parataxic Distortion 3:28\u003cbr\u003eB2. Festival Of The Dead 4:54\u003cbr\u003eB3. Belladonna Theme 3:11\u003cbr\u003e\u003cbr\u003eC1. Vaudou Take Me High 6:51\u003cbr\u003eC2. Inlightenment 3:14\u003cbr\u003eC3. None Of Your Bones Are Broken 2:40\u003cbr\u003e\u003cbr\u003eD1. Madwoman (Festival Mix) 5:52\u003cbr\u003eD2. Fruit Is Ripe 2:17\u003cbr\u003eD3. Fire Ends The Day 3:37\u003c\/p\u003e","brand":"Cut Hands","offers":[{"title":"Default Title","offer_id":43481919291616,"sku":"BLACKESTLP010","price":14.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/CutHands-FestivaloftheDead.jpg?v=1664819904"},{"product_id":"hinge-ebu","title":"Hinge (LP w\/ download code)","description":"\u003cp\u003e\u003cstrong\u003eE B U - Hinge \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComes with download code - ltd to 200 copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe long anticipated E B U full-length on \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/label-no-corner\" title=\"NoCorner - Spectrum City\" target=\"_blank\"\u003eNoCorner\u003c\/a\u003e - if you managed to grab one of the limited 12\"s with 'Falling' \u0026amp; 'Light Show' plus remixes - then you know what you're in for here, and the chances of your captivation are already high... If not, then here's your chance for the full dive into E B U's one-in-a-million sound world.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout Hinge, unnatural sounds and pitches exhale in melodic chants, ominous basslines resound and eerie loops fixate in this macabre ensemble. You are captive in her world. Moments of haunting clarity keep you wondering where she will take you next whilst strange narratives unfold. In her music and performances, her chameleonic visual display is charged with emotion, keeping you suspended in a state of flux as she orbits through the spectrum. 'Stimulated by human behaviour and existence, she questions the very nature of being and invites the audience to explore through her cathartic performance.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo our ears, her sound captures elements of the radiophonic qualities by electronic pioneers such as Delia Derbyshire, through to unlikely melody and harmony akin to that of Ryuchi Sakamoto or Laurie Anderson.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's an exploration of strange places with a weird \u0026amp; wonderful sphere, sonically capturing the colourful intensity of Alejandro Jodorowsky's Holy Mountain, or perhaps sounding like a much more out-there, much more convincingly extra-terrestrial Space lady... These are just vague comparisons though... Essentially, her sound is a total world of it's own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHinge, E B U's debut album, is an outer body experience that will conjure up memories you never had before, images you can't quite place but somehow relate to, and a sense of sweet disorientation as you slip into a whirlpool of shapeshifting melody, harmony and frequency.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- INCLUDES DL CODE -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdition of 200 copies,\u003cbr data-mce-fragment=\"1\"\u003eMastered \u0026amp; cut by Lewis at Stardelta.\u003cbr data-mce-fragment=\"1\"\u003eSleeve design by Harry Wright \u0026amp; E B U.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Sloth 0:57\u003cbr\u003eA2. Falling 3:29\u003cbr\u003eA3. Creatures 5:24\u003cbr\u003eA4. Arcade 0:31\u003cbr\u003eA5. Light Show 5:35\u003cbr\u003eA6. By \u0026amp; By 3:59\u003cbr\u003e\u003cbr\u003eB1. Plague 1:31\u003cbr\u003eB2. Homeland 4:53\u003cbr\u003eB3. Monolith 4:23\u003cbr\u003eB4. Holy Guardian 7:26\u003c\/p\u003e","brand":"E B U","offers":[{"title":"Default Title","offer_id":43533603373280,"sku":"NC12009","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/EBU-Hinge.jpg?v=1665933254"},{"product_id":"steve-reich-tehillim-lp","title":"Tehillim (LP)","description":"\u003cp\u003e\u003cstrong\u003eSteve Reich – Tehillim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA modern classic of minimal composition from the master.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Although not as well known as Drumming or Music for 18 Musicians, 1981's Tehillim has earned its place next to those works in Steve Reich's canon. It's arguably his most mature and fully realized work, taking the various strands which had intrigued him before (including African percussion, the human voice, and the power of subtly changing patterns) and developing them in new and interesting ways. The title is Hebrew for \"Psalms,\" and the chants the female vocals develop throughout are indeed liturgical texts. As such, they have a rhythm of their own which plays off of the steady pulse of the finger cymbals in interesting ways, placing accents in unexpected places. Meanwhile, Reich -- for the first time in his mature career as a composer -- experiments with modulation between keys and other elements of tonality that he had previously ignored. Indeed, when the final movement, after three movements' worth of Reich's characteristic tonal ambiguity, finally \"affirms the key of D major as the basic tonal center,\" as Reich's lucid liner notes helpfully explain, the effect, combined with the increasing power and passion of the female voices, is astonishing.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Parts I \u0026amp; II 17:25\u003cbr\u003eB2. 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Konstruktivists – Opening Singns 4:03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_Konstruktivists_-_Opening_Singns.mp3?v=1676312166\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eA3. Ramleh – Black Ark 2:08\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_Ramleh_-_Black_Ark.mp3?v=1676312146\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eA4. Neljän Seinän Jumalat – TV-Orgasmi 4:42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/04_Neljan_Seinan_Jumalat_-_Tv-Orgasmi.mp3?v=1676312166\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eA5. Corum – Hecate's Swaying Garden 5:37\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_Corum_-_Hecates_Swaying_Garden.mp3?v=1676312166\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eB1. CLAIR – Magick Garden Rebirth 7:14\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_Clair_-_Magick_Garden_Rebirthed.mp3?v=1676312166\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eB2. 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Odal – Flaming Piano 3:23\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/09_Odal_-_Flaming_Piano.mp3?v=1676312166\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eB5. 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Koituva\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/08_koituva.mp3?v=1680951504\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eC3. Mojave\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/09_mojave.mp3?v=1680951504\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eD1. Tasanko\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/10_tasanko.mp3?v=1680951504\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eD2. Kausaaliton\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/11_kaussaaliton.mp3?v=1680951504\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eD3. Muistetun Palaava Taajuus\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/12_muistetun_palaava_taajuus.mp3?v=1680951504\"\u003e\u003c\/audio\u003e\u003c\/div\u003e","brand":"Mika Vainio \/ Ø","offers":[{"title":"Default Title","offer_id":46476818088284,"sku":"Sähkö-023","price":22.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/O_Oleva.jpg?v=1680947078"},{"product_id":"ryoji-ikeda-ep","title":"Ryoji Ikeda EP","description":"\u003cp\u003e\u003cstrong\u003eRyoji Ikeda - Ryoji Ikeda EP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRyoji Ikeda is one of the most influential minimal electronic musicians and sound artists of our time. He also works as a cutting edge visual artist. He creates poetic art reducing the elements to extremes.\u003cbr\u003e\u003cbr\u003eRyoji Ikeda was born in 1966 in Gifu, Japan. He lives and works in Paris, France and Kyoto, Japan.\u003cbr\u003e\u003cbr\u003eThese two tracks are taken from his first and third albums from early\/mid 90's and were previously never released on vinyl. Space was newly mixed by Ryoji Ikeda for this EP.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Luxus 1-3 16:20\u003cbr\u003eB1. Space 15:45\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1. Luxus 1-3\u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_Luxus_1-3.mp3?v=1680964652\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB1. Space \u003c\/strong\u003e \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_Space_Altered_Version.mp3?v=1680964652\"\u003e\u003c\/audio\u003e\u003c\/div\u003e","brand":"Ryoji Ikeda","offers":[{"title":"Default Title","offer_id":46477063323996,"sku":"Sahko-033","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/products\/RyojiIkedaEP.jpg?v=1680964411"},{"product_id":"trần-uy-dức-s-t-compilation","title":"S\/T compilation (Ltd cassette w\/ DL code)","description":"\u003cp\u003e\u003cstrong\u003eTrần Uy Đức – S\/T compilation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLtd 100 copies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComes with download code\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Dispari introduces you to Hanoi-based artist Trần Uy Đức. Carried by large curiosity, urgency and delight, their sonic expression can be grasped as a self-exploration which is touchingly intimate, fragile, rebellious and conciliating. In their own words:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It's my desire to escape into this person I don't know.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDie, orphaned kite flutes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWatch me escape the orphaned kite flutes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you beat it up many times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDon’t, don't, he predict thunder.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWho asked me tonight to explain one, two, two miracles. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSame problem. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eC-c-c-fuck\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI'm singing for my body.“ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrần Uy Đức\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. First 2:58\u003cbr\u003eA2. Interlude Make Him Say Again 0:16\u003cbr\u003eA3. And More 2:12\u003cbr\u003eA4. Asking For Gyrations 1:54\u003cbr\u003eA5. What Doesn’t 1:16\u003cbr\u003eA6. Clean... 1:48\u003cbr\u003eA7. Afternoon With My Beagle 2:07\u003cbr\u003eA8. I Wrong Hub 3:20\u003cbr\u003eA9. Tribalica11 2:24\u003cbr\u003eA10. Opening 3:06\u003cbr\u003e\u003cbr\u003eB1. 11 1:55\u003cbr\u003eB2. Fear And Expectation 3:17\u003cbr\u003eB3. Master 2:16\u003cbr\u003eB4. Love Is A Booster 2:10\u003cbr\u003eB5. No 1:44\u003cbr\u003eB6. Peacetheatre 2:40\u003cbr\u003eB7. Cosy 2:38\u003cbr\u003eB8. Freebitch1 0:25\u003cbr\u003eB9. First – Farewell 3:32\u003c\/p\u003e","brand":"Trần Uy Đức","offers":[{"title":"Default Title","offer_id":47136221856092,"sku":"dispari004","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Tr_nUyD_ccover.jpg?v=1696178521"},{"product_id":"gossiwor-domestic-saga-12","title":"Domestic Saga (12\")","description":"\u003cp\u003e\u003cstrong\u003eGossiwor ‎– Domestic Saga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePeak mystical offerings from the \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/label-5-gate-temple\"\u003e5 Gate Temple\u003c\/a\u003e - incredible \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/electronic-john-t-gast\"\u003eJTG\u003c\/a\u003e and BOLI Group collabo. This was a super limited 12\" run that disappeared in no time and we are fortunate enough to have 3 fresh, unplayed copies for sale at a reasonable price.\u003c\/p\u003e\n\u003cp\u003e\"Blow wind, blow… one-take nautical folk anthems \/ underwater futures produced by \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/electronic-john-t-gast\"\u003eJohn T. Gast\u003c\/a\u003e and MC Boli, marrying minimalist, quasi-ceremonial orchestrations and massed pipes of un-peace to spacy Berlin-School electronics and plate-shifting, ship-sinking UK soundsystem pressure. 35 minutes of music.\u003c\/p\u003e\n\u003cp\u003eOn ‘Domestic Saga (All Is Lost)’, wistful reeds extemporise against white tides of high-lonesome synth drift, sonar bleeps and sparsest percussions tumbling through 20,000 leagues of reverb…drowned-world echoes of John Surman’s kosmic Cornwall, Anna Själv Tredje’s epic alpine ego-dissolve, even Namlook\/Hawtin’s horizontal techno meditations, all rendered ultra-uncanny by JTG soundboy mischiefs x the conservatoire poise\/formality of Boli Group.\u003c\/p\u003e\n\u003cp\u003e‘Ava Maria’ comes at you like an army of pissed-off, undead sailors through the fog – slow but tooled-up and sure of purpose, 100% bad news for you and anyone else unfortunate enough to be holidaying in this til-now quiet and idyllic fishing village with no internet or mobile reception. Properly heavy, heady material: bellows-blown thickening the air around you, pressing on your temples, eventually threatening the full Kananga. But 'Thank You Lord' - with its centrifugal, quintessentially Gast flute-loop (or harmonium or melodica or whatever it is) locating the pagan-folk energies in grime and vice versa - effortlessly steals the show. Propelled by torpedoing sub-bass and bombastic martial string\/brass vamps fit for the court of Neptune (release the motherf*****g kraken!), draped with silken weather-storm keys and a surreal voiceover that sounds like a rogue Danish naval officer narrating his own mental collapse, it's just... woii.\u003c\/p\u003e\n\u003cp\u003eUnlike anything else out there and too, too good. The kind of all-at-sea strangeness that can’t be assimilated, and therefore must assimilate you.\u003cem\u003e\"\u003c\/em\u003e - LOW COMPANY DISTRO\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e35 minutes of music. 12\" in die-cut printed sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Domestic Saga #2 (All Is Lost) 14:32\u003cbr\u003eB1. Ava Maria 10:32\u003cbr\u003eB2. Thank You Lord 9:23\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e A1. Domestic Saga #2 (All Is Lost)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Domestic_saga.mp3?v=1699810099\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB1. Ava Maria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Ava_Maria.mp3?v=1699810100\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB2. Thank You Lord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Thank_you_lord.mp3?v=1699810100\"\u003e\u003c\/audio\u003e\u003c\/div\u003e","brand":"Gossiwor","offers":[{"title":"Default Title","offer_id":47298643099996,"sku":"5GT4SAGA","price":15.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/GOSSIWOR-DomesticSaga.jpg?v=1699801631"},{"product_id":"le-temps-est-comme-un-cercle-qui-tournerait-sans-fin-12","title":"Le Temps Est Comme Un Cercle Qui Tournerait Sans Fin (12\")","description":"\u003cp\u003e\u003cstrong\u003e阝70 – Le Temps Est Comme Un Cercle Qui Tournerait Sans Fin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA mysterious, oddball transmission from Alphaville this one. I have no information on this other than it was originally released September 11th, 2001 and is the sole output of a Swiss label entitled Disques de L'Infini (all of which may or may not be true).\u003cbr\u003e\u003cbr\u003eFrom start to finish this is an ominous and beguiling collage of electronics, synth pads\/strings, spoken word and creepy processed speech - primarily from Alpha-60 (Alphaville's sentient, dictatorial robot). Helping him out on Side-B we have Drexciyan associate Smokey delivering snatches of his \u003ca href=\"https:\/\/youtu.be\/1T4f4F-U04A?si=_g90_K_BdIsKxK5C\" title=\"Drexciya - Smokey's Illegitimate Report\" target=\"_blank\"\u003eIllegitimate Report\u003c\/a\u003e before baleful drones take over, ushering in Gregory Whitehead to deliver his \u003ca href=\"https:\/\/youtu.be\/RA_EPIyI9n8?si=Jur6O8JAmeAQ4hUL\u0026amp;t=911\" title=\"Gregory Whitehead - Disorder Speech\" target=\"_blank\"\u003eDisorder Speech\u003c\/a\u003e - and all sounding like a suspect SOS radio transmission from a distant alien planet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Le Temps Est Comme Un Cercle Qui Tournerait Sans Fin 15:26\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/infi-1a1.mp3?v=1701871740\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Le Temps Est Comme Un Cercle Qui Tournerait Sans Fin 7:00 \u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/infi-1b1.mp3?v=1701871740\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e","brand":"阝70","offers":[{"title":"Default Title","offer_id":47406340407644,"sku":"INFI-1","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/70_LeTempsEstCommeUnCercleQuiTourneraitSansFin1.jpg?v=1701871057"},{"product_id":"visibility-is-a-trap-ep","title":"Visibility Is A Trap (EP)","description":"\u003cp\u003e\u003cstrong\u003eDalhous – Visibility Is A Trap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Visibility Is A Trap is an EP by Dalhous, comprised of four originals together with a masterfully understated Regis remix of He Was Human And Belonged With Humans'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVisibility Is A Trap reflects writer-producer Marc Dall's interest in the language and imagery of self-help, R.D. Laing and the anti-psychiatry movement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Information Is Forever'and A Change Of Attitude'are firmly in the ambient mode, Active Discovering'fizzes with arpeggiated energy, and a battery of percussion disrupts the calm surface of Sight Of Hirta'. Something is up. All is not as it seems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Regis remix of Ambassador highlight He Was A Human And Belonged With Humans'finds Karl O'Connor in unusually pensive mood. In fact this near-beatless, dubwise version is unlike anything he has put his name to before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDiscarding the rhythmic skeleton of Dalhous's original, he gives their weeping saxophone more space to roam and resonate, adding off-beat, sleep-deprived keys, murmured vocal fragments and swells of sub-bass pressure.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt could be construed as a love letter to his former home in West Berlin; certainly it evokes and effortlessly updates the drugsick grandeur of later Neubauten or Low side 2.\"\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Active Discovering\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A1.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA2. Information Is Forever\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A2.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA3. Sight Of Hirta\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A3.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eA4. A Change Of Attitude\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_A4.mp3?v=1705147203\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003eB1. He Was Human And Belonged With Humans (Regis Version)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Visibility_B1.mp3?v=1705146919\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dalhous","offers":[{"title":"Default Title","offer_id":47531230789980,"sku":"BLACKEST 029","price":12.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Dalhous_VisibilityIsATrap.jpg?v=1705146636"},{"product_id":"shackleton-the-majestic-yes","title":"The Majestic Yes (12\")","description":"\u003cp\u003e\u003cstrong\u003eShackleton – The Majestic Yes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Taking off from Beaugars Seck’s foundational sabar drum rhythms — recorded by Sam in Dakar in February 2020 — Shackleton has constructed a trio of intricately layered, luminous, enchanted, epic excursions. The second is more dazzled and meandering, with jellied bass, insectile detail, and discombobulated jabbering; the third is more liquid, fleet of foot, and psychedelic, with a grooving b-line and funky keyboard stabs, scrambled eastern strings and hypnotic vocalese.\u003c\/p\u003e\n\u003cp\u003eThe harmonium in The Overwhelming Yes sounds like Nico blowing in chillily from up the desert shore.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe overall mood is wondrous, twinkling with light, onwards-and-upwards; an uncanny, dubwise mix of the ancient and the futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eMark Ernestus’ Version is stripped, trepidatious, mystical, and stranger still, with just a snatch of the original melody, extra distortion and delay, and crystal-clear drum sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTwenty minutes of startlingly original music, with Shackleton the maestro at the top of his game, and a characteristically evilous dub by Mark Ernestus.\u003c\/p\u003e\n\u003cp\u003eMastered by Rashad Becker; handsomely sleeved.\u003c\/p\u003e\n\u003cp\u003eSick to the nth. Love 4 Ever.\" - HJ\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. The Majestic Yes\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Majestic_Yes_A1.mp3?v=1705149427\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. The Overwhelming Yes\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Majestic_Yes_A2.mp3?v=1705149427\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. The Stick And Twist Mood\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Majestic_Yes_B1.mp3?v=1705149427\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Overwhelming Yes Dub (Mark Ernestus Version)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Majestic_Yes_B2.mp3?v=1705149427\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Shackleton","offers":[{"title":"Default Title","offer_id":47531464786268,"sku":"HJP096","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Shackleton_TheMajesticYes.jpg?v=1705149502"},{"product_id":"iron-day-lp","title":"Iron Day (LP)","description":"\u003cp\u003e\u003cstrong\u003eGenghis Cohn – Iron Day\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"North London’s midnight man tumbles out his treehouse to deliver twelve potions of minor healing in “Iron Day”, his questing, soul-salvaging songbook. Brimming with majesty and maraud in equal parts, Genghis Cohn synthesises trad. English folk and woe with surrealist dream sequences on this debut long-player. A romance of two hedgehogs, devotional bone temples, broken shadows and sausage kings, GC conjures a grand slab of folk music that, in a warmly recognisable form, challenges its ancient rewards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePrevious acquaintance with GC's lean, amorphous strain of experimental home recordings may encounter a menacing apprehension whilst trying to settle in the splendour of \"Iron Day\", unnerved by its posture and the anticipation of songs dissolving or amalgamating in rust and gob at any moment. Still minimalist and direct, but delivered by an altogether different jester, songwriting that has featured in many previous works is smithed into fine, well-wrought suites that build and blend through paced, tempered sequencing and playful, intricate\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e storytelling.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmidst cavernous inner-dialogue and brilliant, contorted pastoral sequences, GC’s guitar (reported to be over 100 years old!?) laps and thrashes alongside accompaniments of Lauren Collier’s aching violin, a lethargic drone and emphatic hand-percussion that drifts in and then out. A dynamic, earthy collection that places future barn-stormers like “Underneath The Oak” and the gentle blaze of “Onion” in cadence with the doom-stricken, ghostly slides as on “Misunderstood” and “Secrets”, all recorded in dazzling clarity that captures the cascading instrumentation as clearly as the settled, tormented humour of GC’s blues. Indispensable candlemeat and essential, joyous listening for fans of; Davy Graham, The Godz, Leonara Carrington, Smelly Feet, Martin Carthy\" - LLI\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Iron Day\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_Iron_Day.mp3?v=1705151275\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA2. She Who Calls\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_She_Who_Calls.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA3. Broken Vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_Broken_Vessel.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA4. Pink Sea\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/04_Pink_Sea.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA5. Logs of Elder\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_Logs_of_Elder.mp3?v=1705151275\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA6. Love Gulch Temple\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_Love_Gulch_Temple.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB1. Misunderstood\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/07_Misunderstood.mp3?v=1705151275\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB2. Secrets\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/08_Secrets.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB3. Well of Roses\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/09_Well_of_Roses.mp3?v=1705151273\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB4. Underneath the Oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/10_Underneath_the_Oak.mp3?v=1705151275\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB5. Benben\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/11_Benben.mp3?v=1705151273\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eB6. Onion\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/12_Onion.mp3?v=1705151274\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Genghis Cohn","offers":[{"title":"Default Title","offer_id":47531544445276,"sku":"LLI018","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/GenghisCohn-IronDay.jpg?v=1705150812"},{"product_id":"head-gone-wrong-by-noise-2lp","title":"Head Gone Wrong By Noise (2LP)","description":"\u003cp\u003e\u003cstrong\u003eMadteo – Head Gone Wrong By Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Visceral, elemental, electronic funk, conjured from scraps of sound, breath, mutterings, dubwise remembrances, scuffling, sweat and blood, thin air — ‘crawled out of the slime’, as the opener puts it, self-engendering like the baddie in Terminator — all harnessed to cruelly grooving earthquake bass and b-boy drum science.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRhythmically it has ants in its pants and it needs to dance, with an improvisatory, streetwise nervous energy and uninhibited, purposeful rapture — akin to this guy, say, eighteen minutes in — crossed with on-song Pepe Bradock and stripped-to-the-bone, mongrel hip-hop.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s unruly and edgy, a bit off its rocker, emotionally ranging — typically anxious, often nostalgic — and riveting dance music.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJudge-dread mastering by D\u0026amp;M; first-class Pallas pressing; stunning gatefold artwork by \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/label-the-trilogy-tapes\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWill Bankhead\u003c\/a\u003e. 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Know Fun\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_Head_Gone_Wrong_03.mp3?v=1705244779\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Deserts Of Social Isolation\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_Head_Gone_Wrong_04.mp3?v=1705244779\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Freeze The Cheese\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_Head_Gone_Wrong_05.mp3?v=1705244779\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC1. 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People Impersonating Persons\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_Head_Gone_Wrong_08.mp3?v=1705244779\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD2. Not This, Not That\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_Head_Gone_Wrong_09.mp3?v=1705244780\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Madteo","offers":[{"title":"Default Title","offer_id":47535436955996,"sku":"HJRLP86","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Madteo_HeadGoneWrongByNoise.jpg?v=1705244465"},{"product_id":"eros-in-arabia-lp","title":"Eros In Arabia (LP)","description":"\u003cp\u003e\u003cstrong\u003eRichard Horowitz – Eros In Arabia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReissue of a 1981 private-press masterpiece, with liner notes by Brian Cullman - includes Risograph printed insert with original Eros in Arabia cover collage and a reproduction of a letter from Paul Bowles and Richard Horowitz’s long documented correspondence.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eEros in Arabia\u003c\/em\u003e, \u003cstrong\u003eRichard Horowitz\u003c\/strong\u003e channels this vibration and bends bandit sounds by pairing the ancient \u003cem\u003eney\u003c\/em\u003e cane flute with the Prophet-5 synthesizer. Interspersed with other instruments and ideas, like echo delayed Moroccan drumming and self-made magic, these elements deal in duality like the ever-shifting characteristics of the composer: the Hollywood Horowitz who scores films like \u003cem\u003eThe Sheltering Sky\u003c\/em\u003e and \u003cem\u003eAny Given Sunday\u003c\/em\u003e, and the Morocco Horowitz who founded the Gnaoua Festival in Mogador, attended by 500,000 people every year.\u003cbr\u003e\u003cbr\u003eWorking in natural succession from end to beginning, “Elephant Dance” demonstrates the central synth and \u003cem\u003eney\u003c\/em\u003e node to explore energetic sound patterns Horowitz imagined to be played in the 16th century on the island of Java, around the time Sufi’s may have arrived in Indonesia. Delicately trampling the twenty minute mark, the piece offers an immersive climate of microtones that might, with the primordial matter of love, alter DNA. “Baby Elephant Magic” is “Elephant Dance” but sped up— producing digital baubles that sound less like an Indonesian forest, more like an urban hive of mechanical insect interaction.\u003cbr\u003e\u003cbr\u003eThe piano on “23\/8 for Conlon Nancarrow,” with John Cage technique at play, is played “as fast as possible by a human.” The sounds are driven to derail from the space time continuum. On “Never Tech No Foreign Answer,” a cheap cassette recorder microphone captures the Prophet-5 left to the devices of its master’s inner clock, taking on a frenzied sound form that vibrates in place before bouncing off the tape case walls. Chaos is concentric.\u003cbr\u003e\u003cbr\u003e“Queen of Saba” incorporates the vocals of long-time collaborator, \u003cstrong\u003eSussan Deyhim\u003c\/strong\u003e. Described as one of Iran’s most potent voices in exile, Deyhim’s work is in both the tradition of Sufis and the late feminist poet, \u003cstrong\u003eForough Farrokhzad\u003c\/strong\u003e. Recently Deyhim and Horowitz worked together on a multi-media performance based upon Forrokhzad’s Iranian New Wave film, \u003cem\u003eThe House Is Black\u003c\/em\u003e. Here Deyhim performs a taḥrīr where vocals go low to high without any semantically meaningful words. Horowitz’s associations with great cultural icons of the Middle East, like these women, soften (in)appropriations.\u003cbr\u003e\u003cbr\u003eLess aggressive than its predecessors, “Eros Never Stops Dreaming” introduces the bendir frame drum, the feathery wind of the \u003cem\u003eney\u003c\/em\u003e floating above its bowing rhythm with effortless mathematics. “Bandit Nrah Master of Rajasthan” begins where the album ends, an ode to Shakuhachi flute players known to indulge in both trance-inducing circular breathing and espionage.\u003cbr\u003e\u003cbr\u003eHorowitz is linked with the worldly sound seeking circles of minimalist and avant-garde New York City musicians, especially \u003cstrong\u003eLou Harrison\u003c\/strong\u003e and \u003cstrong\u003eLa Monte Young\u003c\/strong\u003e, with whom Horowitz shared Shandar as a record label momentarily. He recorded and toured with \u003cstrong\u003eJon Hassell\u003c\/strong\u003e and collaborated with \u003cstrong\u003eDavid Byrne\u003c\/strong\u003e and \u003cstrong\u003eBrian Eno\u003c\/strong\u003e, \u003cstrong\u003eJean-Philippe Rykie\u003c\/strong\u003e, and \u003cstrong\u003eBill Laswell\u003c\/strong\u003e. Along his travels he befriended \u003cstrong\u003eBrion Gysin\u003c\/strong\u003e and \u003cstrong\u003ePaul Bowles\u003c\/strong\u003e, the latter whom mentored Horowitz over decades of correspondence, some of which documents the making of \u003cem\u003eEros\u003c\/em\u003e and comes quite \u003cem\u003eliterally\u003c\/em\u003e with this edition.\u003cbr\u003e\u003cbr\u003eA record of physical and intellectual love for Arabia, FTS extends this flowing forward and backward - a shimmer that reverses the backward spelling of \u003cem\u003eZtiworoh\u003c\/em\u003e. \u003cem\u003eEros\u003c\/em\u003e is presented in the ever present. To borrow from a song title, Horowitz remains gainfully employed as an “inter-dimensional travel agent.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BRA2pra_jg0?si=7yd75KT1vTGNoP-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Bandit Nrah Master Of Rajasthan 4:54\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/1_Bandit_Nrah_Master_Of_Rajasthan.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. Eros Never Stops Dreaming 5:17\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/2_Eros_Never_Stops_Dreaming.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA3. Baby Elephant Magic 4:43\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/3_Baby_Elephant_Magic.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA4. Queen Of Saba 3:30\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/4_Queen_Of_Saba.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA5. Never Tech No Foreign Answer 3:26\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/5_Never_Tech_No_Foreign_Answer.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA6. 23\/8 For Conlon Nancarrow 3:30\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/6_23_8_For_Conlon_Nancarrow.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Tamara Alexa Inter-Dimensional Travel Agent 3:27\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/7_Tamara_Alexa_Inter-Dimensional_Travel_Agent.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Elephant Dance 21:44\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/8_Elephant_Dance.mp3?v=1705758034\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Richard Horowitz","offers":[{"title":"Default Title","offer_id":47564551848284,"sku":"FTS004","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/RichardHorowitz_ErosInArabia.jpg?v=1705757531"},{"product_id":"cellular-automata-lp","title":"Cellular Automata (LP)","description":"\u003cp\u003e\u003cstrong\u003eDopplereffekt – Cellular Automata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Cellular Automata approaches mathematical growth and decay as an iterative process, with each data input considered individually relative to the overall model. The result represents one of the group’s boldest creative endeavors, defying expectations while remaining unmistakably Dopplereffekt.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCellular Automata is the third Dopplereffekt release to come out via Leisure System, following 2013’s Tetrahymena and 2014’s Hypnagogia.\" - LEISURE SYSTEM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Cellular Automata 4:58\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/1_Cellular_Automata.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. Von Neumann Probe 3:28\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/2_Von_Neumann_Probe.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA3. Gestalt Intelligence 3:39\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/3_Gestalt_Intelligence.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA4. Isotropy 5:17\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/4_Isotropy.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA5. Pascal's Recursion 4:07\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/5_Pascal_s_Recursion.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Ulams Spiral 4:11\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/6_Ulams_Spiral.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Mandelbrot Set 3:45\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/7_Mandelbrot_Set.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB3. Spirangle 4:24\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/8_Spirangle.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB4. Exponential Decay 4:25\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/9_Exponential_Decay.mp3?v=1706373511\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dopplereffekt","offers":[{"title":"Default Title","offer_id":47591831798108,"sku":"LSR020","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Dopplereffekt-CellularAutomata.jpg?v=1706372830"},{"product_id":"dopplereffekt-calabi-yau-space","title":"Calabi Yau Space (2 x 12\")","description":"\u003cp\u003e\u003cstrong\u003eDopplereffekt – Calabi Yau Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e14 years since it was originally released on \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/label-rephlex\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRephlex Records\u003c\/a\u003e, Dopplereffekt's Calabi Yau Space (2007) finally gets a reissue on vinyl thanks to WeMe Records (following on their amazing reissue of Linear Accelerator).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album sees Dopplereffekt move even further out into their very own exploratory realm, where music and quantum physics meet. Eight tracks that when first released seemed challenging but with repeated exposure a strange almost supernatural event occurred as these new sounds and patterns gradually revealed a beauty and even simplicity about them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a brave album, epic in vision. An essential record for all fans of Techno in the sense that the term was originally intended.\" - WeMe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e--\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eA1. Calabi Yau Manifold\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_Calabi_Yau_Manifold.mp3?v=1706374856\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. 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Mirror Symmetry\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_Mirror_Symmetry.mp3?v=1706374856\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC1. Non Vanishing Harmonic Spinor\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_Non_Vanishing_Harmonic_Spinor.mp3?v=1706374860\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD1. Hypersurface\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/07_Hypersurface.mp3?v=1706374861\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD2. 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Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. 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Orangenschalen\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/04_Orangenschalen.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Währenddessen\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_Wahrenddessen.mp3?v=1707058639\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. What Is MM\/KM (I Think I Know)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_What_Is_MM_KM_I_Think_I_Know.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB3. Der Einfall\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/07_Der_Einfall.mp3?v=1707058622\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB4. Slip\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/08_Slip.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC1. Das Künstlergespräch\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/09_Das_Kunstlergesprach.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC2. 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Konstantes Gravieren\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/16_Konstantes_Gravieren.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD3. Dann Plötzlich\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/17_Dann_Plotzlich.mp3?v=1707058644\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD4. Himmel Ohne Himmel\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/18_Himmel_Ohne_Himmel.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD5. Vasen\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/19_Vasen.mp3?v=1707058678\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MM\/KM","offers":[{"title":"Default Title","offer_id":47619028123996,"sku":"TTT105","price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/MM-KM_IchSeheVasen1.jpg?v=1707059521"},{"product_id":"cs-kreme-orange","title":"Orange (2LP)","description":"\u003cp\u003e\u003cstrong\u003eCS + Kreme – Orange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Snoopy is hard to follow up. 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Shred\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_Shred.mp3?v=1707149982\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Voice Of The Spider\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_Voice_of_the_Spider.mp3?v=1707149983\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB2. Pink Mist\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/04_Pink_Mist.mp3?v=1707149983\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC1. Mandarin\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/05_Mandarin.mp3?v=1707149983\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eC2. Would You Like A Vampire feat. Bridget St John\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/06_Would_You_Like_a_Vampire.mp3?v=1707149982\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eD1. Storm Rips Banana Tree\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\n\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/07_Storm_Rips_Banana_Tree.mp3?v=1707149983\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CS + Kreme","offers":[{"title":"Default Title","offer_id":47622628540764,"sku":"TTT102","price":31.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/CS_Kreme-Orange01.jpg?v=1707150485"},{"product_id":"julius-eastman-femenine-2lp","title":"Femenine (2LP + download code)","description":"\u003cp\u003e\u003cstrong\u003eJulius Eastman - Femenine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDouble vinyl edition of 'Femenine', remastered by Jim O'Rourke, and presented across four sides of black vinyl in a gatefold sleeve with black poly-lined inners.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e2023 repress. Double-LP version, black vinyl in gatefold sleeve -- on vinyl for the first time, in a revelatory new remaster by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJim O'Rourke\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2016, Finnish label frozen reeds published the première release of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJulius Eastman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eFemenine\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, for chamber ensemble. Laying unheard for decades prior, the release documented a 1974 performance by the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eS.E.M. Ensemble\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with the composer himself on piano. Lauded in Pitchfork (awarded \"Best New Music\"), The New Yorker, and The New York Times, the first release of \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eFemenine\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e served as the catalyst that propelled Eastman's music into the mainstream. Articles on Eastman's music and its immediate disruptive impact on the classical canon began to appear in every major news organ in the English-speaking world and beyond. His music began to be programmed in major concerts and festivals, several of these entirely themed around his life and work. New recordings sprang up from a fresh generation of musicians engaging with his ideas and interpreting them for a modern audience hungry to hear more. But the raw, emotionally cascading spirit of the original performance continues to inspire listeners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoyous, insistent, and immersive, \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eFemenine\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e bathes the listener in surges of tonal color from intertwining winds, piano, violin, pitched percussion, synthesizer, and -- uniquely -- the composer's own invention of mechanized sleigh bells, which provide the 72-minute piece with its characteristic pulse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu data-mce-fragment=\"1\"\u003eFemenine\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e was recorded live by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSteve Cellum\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e -- co-producer of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArthur Russell\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eWorld of Echo\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e -- and the new vinyl reissue has been remastered from the original high-definition tape transfer by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJim O'Rourke\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e at his Steamroom studio in the Japanese mountains. Illuminating sleeve notes are provided by composer and author \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMary Jane Leach\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, key figure of the Eastman revival and co-editor of the \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eGay Guerrilla\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e collection of essays on his life and music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEastman's stated aim with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eFemenine\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas to please listeners, saying of the piece that 'the end sounds like the angels opening up heaven . . . should we say euphoria?\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\" --Mary Jane Leach\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA1. Femenine (performer – S.E.M. Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB1. Femenine (performer – S.E.M. Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eC1. Femenine (performer – S.E.M. Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eD1. Femenine (performer – S.E.M. Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/273605791\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/frozenreeds\" title=\"frozenreeds\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003efrozenreeds\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/frozenreeds\/eastman-femenine\" title=\"Femenine (excerpt)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eFemenine (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Julius Eastman","offers":[{"title":"Default Title","offer_id":47679463391580,"sku":"fr6v","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/JuliusEastman-Femenine_266be6c8-d008-4181-a162-b19c1baea1a4.jpg?v=1708255581"},{"product_id":"derek-bailey-paul-motian-duo-in-concert-lp-download-code","title":"Duo In Concert (LP + download code)","description":"\u003cp\u003e\u003cstrong\u003eDerek Bailey \u0026amp; Paul Motian – Duo In Concert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“This is one of those moments that we’re always hoping for, and it's so rare. And it's so hard to talk about, because it's so beautiful. It's like you're seeing some new species of plant that you never knew existed or something.” – Bill Frisell\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrozen reeds is proud to present the only recorded duo playing of two legendary musical figures.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDerek Bailey and Paul Motian – two longstanding pioneers of distinct strains of improvised music – came together for a brief period of collaboration in the early 1990s. Tapes of their two known live performances (one at Groningen’s JazzMarathon festival in the Netherlands, the other a year later at New Music Cafe, NYC) were recently unearthed in the Incus archives, and their contents will surprise and delight fans of both supremely idiosyncratic musicians.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Groningen concert (1990) is released on vinyl, while the New York date (1991) is included with the digital download, free of charge for all purchasers. A conversation between Bill Frisell and Henry Kaiser on Bailey, Motian, their intertwined backgrounds, and the significance of these recordings is included as sleeve-note insert.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach player bringing decades of crucial experience to their encounters – with histories taking in vast swathes of the development of jazz and free improvisation – these fleeting shared moments provide some of the most riveting playing in the career of either.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is precious little recorded evidence of Motian as a free improviser, but his mastery is beyond any doubt in these recordings. From knife-edge precision to textural haze, Motian’s palette is astounding, but perhaps even more impressive is his confidence in the non-idiomatic conversation itself. Pushing far beyond the established vocabulary of free percussion, his playing allows a measured degree of repetition to take form, giving rise to almost song-like structures. The covert influence of the drummer’s work on the post-rock genre (just taking its first nascent steps in the early 1990s) is made overt here.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn turn, Bailey allows some of his most unashamedly melodic passages to unfold without a mote of his trademark contrariness or antagonism. Patterns that would be acerbically disrupted elsewhere are allowed to settle, with variations of note and timbre introduced more gradually than is typical of his playing. When forceful changes in dynamics or tone do arrive, they do so in such close tandem with Motian’s rhythmic and textural transitions as to beggar belief. The guitarist’s duos with percussionists (Jamie Muir, Han Bennink, John Stevens…) arguably provide some of the highlights of his discography. ‘Duo in Concert’ represents a strong addition to the list.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn elegant sense of construction pervades the sets, as the duo ably fulfil the promise of free improvisation: carving out hugely compelling, expertly balanced, and thrillingly paced music as if from thin air.\" - frozen reeds\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDerek Bailey guitar\u003cbr data-mce-fragment=\"1\"\u003ePaul Motian percussion\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded live on 7th December, 1990 at JazzMarathon at De Oosterpoort, Groningen, the Netherlands. Digital-only extra tracks recorded live on 16th December, 1991 at the New Music Cafe, New York City\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll compositions Bailey\/Motian\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTape transferred by Ian Greaves.\u003cbr data-mce-fragment=\"1\"\u003eMastered by Jim O’Rourke at Steamroom.\u003cbr data-mce-fragment=\"1\"\u003eArtwork and design by Robert Beatty.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting (LP):\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Duo In Concert (Groningen) Part 1\u003cbr\u003eB1. Duo In Concert (Groningen) Part 2\u003cbr\u003eB2. Duo In Concert (Groningen Encore)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting (Digital download):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuo In Concert (Groningen) 35:28\u003cbr\u003eDuo In Concert (Groningen Encore) 9:07\u003cbr\u003eDuo In Concert (NYC - Digital Only) 45:48\u003cbr\u003eDuo In Concert (NYC Encore - Digital Only) 6:18\u003cbr\u003eExcerpt: Duo In Concert (Groningen) 2:00\u003c\/p\u003e","brand":"Derek Bailey \u0026 Paul Motian","offers":[{"title":"Default Title","offer_id":47679898648924,"sku":"fr24v","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/DerekBailey_PaulMotian_DuoInConcert.jpg?v=1708267828"},{"product_id":"john-t-gast-wygdn-10","title":"WYGDN (10\")","description":"\u003cp\u003e\u003cstrong\u003eJohn T. Gast - WYGDN \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo incredible, mournful productions by John T. Gast - one for the dance, the other for quiet introspection - on the now sadly retired Blackest Ever Black label. I think these two tracks originally started life as remix ideas for Carla Del Forno's 'What You Gonna Do Now?' but after a listen the label decided these are special enough to warrant their own release for JTG. \u003c\/p\u003e\n\u003cp\u003eTIP: wygdn_tryagen (5) works just as amazingly well at 45\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\"Two new productions from John T. Gast. A remix project gone awry \/ gone to road.\u003c\/p\u003e\n\u003cp\u003e‘wygdn_bashmenttk9’: high-tech dancehall battering ram with an ethereal, mournful edge… rhythm and blooz for the sentimental gun man dem.\u003c\/p\u003e\n\u003cp\u003e‘wygdn_tryagen (5)’: deep and desolated pop-ambient. Canonbury After The Rain. Vocals from the source squished, hacked and splattered across an infinite horizon of vaporous, funereal string-pads.\" - BLACKEST EVER BLACK\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. wygdn_bashmenttk9\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/WYGDN_01.mp3?v=1708874323\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. wygdn_tryagen (5)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/WYGDN_02.mp3?v=1708874323\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"John T. Gast","offers":[{"title":"Default Title","offer_id":47709563978076,"sku":"Blackest066","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/JohnTGast-WYGDN.jpg?v=1708873670"},{"product_id":"tyhja-paa-black-gold-dub","title":"Black Gold Dub (12\" - Ltd to 100)","description":"\u003cp\u003e\u003cstrong\u003eTyhjä Pää – Black Gold Dub\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHellraising Oulu x Bristol hookup courtesy of Finnish noise-artist Tyhjä Pää and Bristol's industrial club heavyweights \u003ca href=\"https:\/\/spectrumcityshop.pro\/collections\/vendors?q=Bad%20Tracking\" data-mce-href=\"https:\/\/spectrumcityshop.pro\/collections\/vendors?q=Bad%20Tracking\"\u003eBad Tracking\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Elektorni’s murkier sibling Elektyrmä comes out with its first release: Tyhjä Pää - Black Gold Dub.\u003cbr\u003e\u003cbr\u003eThis record is an Oulu-Bristol toxicological emission that gradually disintegrates from Bad Tracking’s banging remix #2, to the original version’s amorphous pool of grinding noise. Who doesn’t need a noise single with a club remix in their collection?\u003cbr\u003e\u003cbr\u003eFirst up on the 33rpm A-side is the rugged industrial club version (Remix 2) made by Bristol’s legendary Bad Tracking. Laced with grimy 808 cowbells that sound like they are transmitting from a mangled Houston rap tape buried 6 feet under, the track relentlessly marches on towards the inevitable doom of humanity. In the second version (Remix 1) you find yourself in an unfamiliar land with irradiating frequencies washing over you, wave after venomous wave. There is no escape. Finally, flipping the record and shifting gears to 45rpm, Tyhjä Pää’s original version dismantles the illusionary structure of society into primordial goo, searching for a form in which to be re-born.\" - Elektyrmä\u003c\/p\u003e\n\u003cp\u003eLtd to 100 copies. Hand numbered and labelled. Comes with A4 insert and stickers.\u003cbr\u003e\u003cbr\u003eMastered and cut by LXC. Pressed in Finland.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Black Gold Dub (Bad Tracking Remix 2)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_ELKTRM001_A1_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_2_LXCmasterDIGITAL.mp3?v=1709467528\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/01_ELKTRM001_A1_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_2_LXCmasterDIGITAL.mp3?v=1709467528\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eA2. Black Gold Dub (Bad Tracking Remix 1)\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_ELKTRM001_A2_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_1_LXCmasterDIGITAL.mp3?v=1709467527\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/02_ELKTRM001_A2_Tyhjae_paa_-_Black_Gold_Dub_Bad_Tracking_Remix_1_LXCmasterDIGITAL.mp3?v=1709467527\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eB1. Black Gold Dub\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_ELKTRM001_B1_Tyhjae_paa_-_Black_Gold_Dub_LXCmasterDIGITAL.mp3?v=1709467528\" type=\"audio\/mpeg\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/03_ELKTRM001_B1_Tyhjae_paa_-_Black_Gold_Dub_LXCmasterDIGITAL.mp3?v=1709467528\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tyhjä Pää","offers":[{"title":"Default Title","offer_id":47736485871964,"sku":"ELKTRM001","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/TyhjaPaa_BlackGoldDub.jpg?v=1709467351"},{"product_id":"roland-kayn-the-ortho-project","title":"The Ortho-Project (15xCD Box)","description":"\u003cp\u003e\u003cstrong\u003eRoland Kayn - The Ortho-Project\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15-CD limited edition boxed set. \u003cbr\u003eAudio restoration by Jim O’Rourke. \u003cbr\u003eArtwork and design by Robert Beatty.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The mystery, the grace, the boundless invention – Kayn’s machine music is a vast catalogue of very human wonder.\"\u003c\/em\u003e -\u003cstrong\u003eThe Guardian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Returning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/p\u003e\n\u003cp\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour entirety – finally sees a fitting release.\u003c\/p\u003e\n\u003cp\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. In the mid to late 90s, he retired, relocated to the Dutch countryside, and began to realise new electronic works at Reiger Recording Studio – his modest home facility. “I finally came to the conclusion,” Kayn would later point out, “that I no longer needed studios to construct my own electronic music.”\u003c\/p\u003e\n\u003cp\u003eThe working methods Kayn arrived at individually – without the room-filling synthesisers, mixing desks and signal-processing equipment of Sonology at his disposal – saw him turning his own career into a cybernetic process. From the hours of recorded sound amassed in prior decades, he began processing and assembling a mountainous quantity of new music. His works of this period are focused on reabsorbing and recontextualising his life’s work to produce yet another series of utterly alien landscapes.\u003c\/p\u003e\n\u003cp\u003eFrom his retirement until his death in 2011, Kayn was wildly prolific, leaving an archive of dozens of finished electronic pieces. Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003c\/p\u003e\n\u003cp\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\" - \u003cstrong\u003efrozen reeds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1-1. Atharyt    \u003cbr\u003e1-2. Itirsis    \u003cbr\u003e2-1. Dat SR z    \u003cbr\u003e3-1. Tirals    \u003cbr\u003e4-1. Skips    \u003cbr\u003e5-1. Synergy    \u003cbr\u003e6-1. Les Rantoles    \u003cbr\u003e6-2. Perikarya    \u003cbr\u003e7-1. Kthoor    \u003cbr\u003e8-1. Ataraly    \u003cbr\u003e8-2. Conversions    \u003cbr\u003e9-1. Anisotropy EE    \u003cbr\u003e10-1. Antarary    \u003cbr\u003e11-1. Rantho    \u003cbr\u003e12-1. Sonoritys    \u003cbr\u003e12-2. Antegry    \u003cbr\u003e13-1. Ecardy    \u003cbr\u003e14-1. La Grada    \u003cbr\u003e14-2. Zazorith    \u003cbr\u003e15-1. 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Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi and Chris Watson\u003c\/strong\u003e…\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This book has been conceived as both a prism and a manual. Following the “traditional” arc of electroacoustic composition (listen—record—compose—deploy—feel), each of the contributions collected together here focuses in on a personal aspect, a fragment of that thrilling territory that is sonic and musical experimentation. Although the term “experimental music” may now have be understood as referring to a genre, or even a particular style, we ought to hold on to the original use of this term, which was based more on an approach than on any particular aesthetic line to be followed. The experimental is first and foremost a spirit, the spirit of the exploration of unknown territories, a spirit of invention which sees musical composition more as a voyage into uncertain territories than as a self-assured approach working safe within the bosom of fully mapped out and recognized lands.\" - SHELTER PRESS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Various Authors","offers":[{"title":"Default Title","offer_id":53466013565276,"sku":"978-2-36582-031-8","price":16.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0618\/5988\/9376\/files\/Spectres-ComposingListeningbook.webp?v=1731837985"}],"url":"https:\/\/spectrumcityshop.pro\/collections\/experimental-classical-noise-improv.oembed?page=4","provider":"Spectrum City","version":"1.0","type":"link"}